Yossi Milo
Skip to main content
  • Menu
  • Artists
  • Exhibitions
  • Art Fairs
  • Viewing rooms
  • Publications
  • About
Cart
0 items $
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu
  • Current
  • Upcoming
  • Past

Cameron Welch: RUINS

Past exhibition
March 24 - May 7, 2022
  • Installation Views
  • Press release
  • Works
  • Press
  • News
Cameron Welch (American, b. 1990) Plein Air, 2021 Marble, Glass, Ceramic, Stone, Spray Enamel, Oil, and Acrylic on Panel 96” x 72” (244 x 183 cm) Framed: 97” x 73 1/4" (246.5 x 186 cm) (CamW.23033)
Cameron Welch (American, b. 1990)
Plein Air, 2021
Marble, Glass, Ceramic, Stone, Spray Enamel, Oil, and Acrylic on Panel
96” x 72” (244 x 183 cm)
Framed: 97” x 73 1/4" (246.5 x 186 cm)
(CamW.23033)

Yossi Milo Gallery is pleased to present RUINS, a solo exhibition of new work by Cameron Welch. The show will open with a reception on Thursday, March 24 from 6:00 - 8:00 PM and will be on view through Saturday, May 7. This is the artist's first exhibition at the gallery.

 

Cameron Welch meticulously assembles hand-cut bits of marble, stone, glass, and tile to produce his monumental mosaics. His intricate compositions recount epic stories of contemporary life in America, laden with references to ancient mythology, art history, and his identity. Mosaic, the artist's medium of choice, allows each constituent piece to embody its own history while simultaneously contributing to the work's grander narrative.

 

Mosaic has been practiced globally since antiquity, yet its legacy in African art history and culture is often overlooked by western art institutions. Welch seeks to highlight and remedy this oversight with works such as Fugue State (2021). At eight feet high and twelve feet wide, the work is a massive feat in both scale and complexity. In content, it blends iconography from European Christianity, consumer culture, and modern-day socio-political issues, making notable reference to Michelangelo's Pietà. At its center, a lifeless, Burberry-clad body is draped across the lap of a winged deity. Surrounding these figures is a frenzy of iconographic elements, including a Byzantinesque lamb, masks from the horror film Scream, an anti-cop protester, and a devil-artist dancing atop a Modigliani-like figure of his own creation. Gold-plated glass and marble-printed porcelain tiles are dispersed across the mosaic's surface, humorously referencing the fabricated surfaces of Welch's childhood home. This playful mix of codes begets a more serious consideration of displaced peoples and histories, or what the artist refers to as a "black hole of nostalgia." With a masterful command of his medium, Welch builds worlds that challenge viewers to reconsider who and what ought to be immortalized in marble and stone.

 

In Plein Air (2021), the artist toys with the notion of self-portraiture, imbuing the work with a liminality that reflects his lived experience as a biracial person in America. The central figure stands behind a literal canvas embedded in the mosaic. He holds a paint palette in one hand and a combination hammer in the other, references to Welch's training in oil painting and pivot to mosaic. Yet the title, Plein Air, suggests an outward view of an outdoor scene, reiterated by the presence of wildlife creatures and a towering palm tree. The question is begged: is the depicted figure the artist himself or someone he observes? A jagged white line and winding paint strokes disrupt the composition, suggesting both may be true. This nonlinear approach to storytelling grants Welch the freedom to construct spaces wherein dualities coexist. The result is a pictorial space cluttered with an assortment of symbols, masks, animals, and complex tilework. Within this space, chaotic as it may be, the artist has free reign to explore his identity in all its complexity.

 

Cameron Welch's work has been exhibited at Nino Mier Gallery, Los Angeles, CA; Kavi Gupta Gallery, Chicago, IL; Harper's Books, East Hampton, NY; Jack Hanley Gallery, New York, NY; Jenkins Johnson Gallery, San Francisco, CA; Carl Kostyàl Gallery, Malmö, Sweden; and the Kunsthal KAdE, Amersfoort, Netherlands, among others. Welch was born in Indianapolis in 1990. He received his BFA from the School of the Art Institute of Chicago in 2013 and his MFA from Columbia University in 2016. He currently lives and works in Brooklyn, NY.

Download Press Release

Related artist

  • Cameron Welch

    Cameron Welch

Back to Past exhibitions
Manage cookies
© Yossi Milo
Site by Artlogic
Instagram, opens in a new tab.
Twitter, opens in a new tab.
Join the mailing list

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list

Signup

* denotes required fields

We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.