News

Shikeith's first monograph, Notes towards Becoming a Spill, published by Aperture, presents a selection of photographic portraits of Black men as they negotiate states of meditation, prayer, and ecstasy. Featured alongside the photographs are texts by Shikeith and Ashon T. Crawley. A limited number of signed copies are available at the gallery. For more information, please visit the Aperture websitehttps://aperture.org/books/shikeith-notes-towards-becoming-a-spill/.

Cameron Welch gave an artist talk and walkthrough of his most recent solo exhibition, RUINS, at Yossi Milo Gallery. To view the talk in its entirety, click here.

Cameron Welch's solo exhibition RUINS was reviewed in The New York Times by Roberta Smith. The author writes, "Cameron Welch’s solo show, “Ruins,” at Yossi Milo is a knockout — in almost the physical sense. It is full of large, ambitious, brilliantly executed mosaics full of so many disparate cultural references, snarling faces and masks and intimations of violence..." Read the full article here.

Light & Matter: The Art of Matthew Brandt, an expansive survey of the artist's career, was featured at Forest Lawn Museum in Glendale, California. Determined to constantly deconstruct and reinvent photography as a medium, Brandt produces work as conceptually layered as it is visually dazzling, much of which is featured in this mid-career retrospective. For more information, please visit the museum website.

Manny (In Possession) (2020) and O' my body, make of me always a man who questions! (2020) by Shikeith were featured in the exhibition Invisible Thread at The Baker Museum in Naples, FL. The exhibition highlighted artists whose work deals with themes of spirituality, transcendence, and the subconscious. Featured alongside Shikeith was a variety of artists working in multiple disciplines, including Natalie Ball, Awol Erizku, and Jeffrey Gibson, among others. For more information, please visit the museum website.

Shikeith wa featured in Aperture Magazine’s Spring 2022 Issue. Tracing the artist’s expansive career, Tiana Reid writes “The opera, oceanic and spiritual, marks a turning point in Shikeith’s career as he actively tries to renew his established practice. Shikeith is best known for formal portraiture, crisp images of Black figures executed with conceptual clarity, but his perspective is an intense, enveloping, and often experimental style.” To read the full essay, please visit the Aperture website.

Work by Nathalie Boutté was featured in the exhibition Us Them We: Race, Ethnicity, Identity at the Worcester Art Museum, MA. The exhibition features artists who explore identity through four main formal devices: text, juxtaposition, seriality, and pattern. Boutté’s work is featured alongside works by Lorna Simpson, Byron Kim, and Roberto Lugo, among others. Fore more information, please visit the museum website.

Ezra Stoller: Photographs of Architecture, an exhibition of sixteen photographs by the artist, was featured at the Cooper Union’s School of Architecture. Arthur Drexler—former Director of MoMA’s Department of Architecture and Design—once noted, “Ezra Stoller’s photographs are now part of the history of modern architecture in the United States...For better or worse, his photographs have been more real to architectural students, and more intensely experienced, than most of the buildings they memorialize.” Following the exhibition, the photographs will remain on view in the school's Foundation Building.

Photographs by Alison Rossiter, Marco Breuer, and Matthew Brandt were featured in the exhibition In Process: Experimental Photography from the Collection of Mark Nevins ‘86 at the Iris and B. Gerald Cantor Art Gallery at the College of the Holy Cross. The exhibition featured an array of artists working with the medium of photography in diverse, innovative ways. For more information, please visit the gallery's website.

Sanlé Sory’s photograph Je Vais Décoller (1977) was featured in the Victoria & Albert Museum’s exhibition Africa Fashion this summer. Spanning nearly a century, the exhibition explored Africa’s fashion scene through more than 250 objects on display, including photographs, textiles, and music. Sory’s work, including Je Vais Décoller, captures the unique fashions of post-colonial Burkina Faso’s youth culture. To learn more, please visit the museum website.

Before Sunrise, Asif Hoque's first solo exhibition at the gallery, was reviewed by Harley Wong for Artsy on February 23, 2022. Wong writes, "Ultimately, in his latest body of work, Hoque’s artistic explorations reach a crescendo, demonstrating the evolution of his oeuvre over the years as he continues to push his practice into new territory. Experimenting with light and color, Hoque’s once serene figurative paintings have transformed into grand and dramatic scenes swirling with palpable action." To read the full article, please visit the Artsy website.

Angela Dufresne’s Love Streams on the Phone Too (2015) was included in the exhibition The Printer’s Proof at the Albuquerque Museum. The show centers around six print makers, placing their work in conversation with prints by other artists working in a variety of mediums, including Nick Cave, Jim Dine, Harmony Hammond, Donald Judd, and Susan Rothenberg. To learn more about the show, please visit the museum website.

Pieter Hugo’s portrait of his son, Jakob Hugo (2020), was featured in From the heart: 10 photographers on the theme of love published in The Guardian on February 13. The article highlights photographers whose work deals with love in its many forms. In Jakob Hugo, Hugo captures his son in tears after suffering a minor injury, invoking the protective sort of love a parent feels for their child. Read the full article here.

Asif Hoque’s past exhibition, Before Sunrise, was selected as one of Artnet News’ “9 Events for Your Art Calendar This Week”. Neha Jambhekar wrote, “Hoque’s new work builds on previous imagery of deified brown male and female figures, lions, and vases with the addition of a dynamic new form, the Bengal tiger, and a softening of the surface inspired by Rubens’ sfumato technique.”

Meghann Riepenhoff’s Chronograph #1 (2015-16), a thirty-two-page hand-bound cyanotype accordion book, was featured in What Photography Is, an exhibition at the Eleanor D. Wilson Museum at Hollins University in Roanoke, VA. The show presented innovative photographic works of varying mediums, each of which responds to contemporary social concerns such as ecological destruction and the passage of time. To learn more about the show, please visit the museum website.

Matthew Brandt’s solo exhibition Carbon, Birch, Silver, Rooms at Yossi Milo Gallery was reviewed by Donald Kuspit in the February 2022 issue of Artforum. Kuspit notes “The artist is obsessed with mortality, concerned with not only the demise of nature but with the death of photography itself, a medium that, like us, has been slowly dying since its inception. Yet through all manner of aesthetic and technical daring, Brandt’s presentation deftly restores photography to creative viability.” To read the complete review, please visit the Artforum website.

Yossi Milo Gallery is deeply saddened to share the news of Kohei Yoshiyuki’s passing. Yoshiyuki was born in the Hiroshima Prefecture in 1946 and passed away on January 21, 2022. Now beloved as one of Japan’s most important photographers, the artist broke ground with his photographs taken in the early 1970s of couples engaged in sex acts in Tokyo’s public parks, often accompanied by voyeuristic onlookers. Our deepest sympathies go to his family.

Angela Dufresne’s painting Mommy Dearest (2014) was acquired by Middlebury College Museum of Art. The museum’s collection serves as both an educational resource for the college’s students and staff and a cultural asset to the larger public. Dufresne’s work will add to their growing collection of contemporary painting.

Work details:
Mommy Dearest, 2014, Oil on Canvas, 66" x 39" (167.5 x 99 cm)

Shikeith has been selected as one of three recipients of the Pittsburgh Foundation’s Exposure Artist Fellowship. The fellowship is awarded to Pittsburgh artists of color whose work deals with social inquiry and activism. In an effort to bring arts institutions and communities of color closer, Shikeith has opted to work with the Carnegie Museum of Art in Pittsburgh as part of the fellowship. For more information, please visit The Pittsburgh Foundation’s website.

Marco Breuer’s abstract photographic works were featured in the exhibition Beauty and Life: The Finis Welch Collection at the Amon Carter Museum of American Art in Fort Worth, Texas from February 20 to May 8, 2022. The exhibition centered around the collection of Texas economist and entrepreneur Finis Welch, a portion of which was recently bequeathed to the museum. Included in this gift are a number of works by Breuer, as well as works by fellow pioneers of modern photography Ansel Adams, Dorothea Lange, and Alfred Stieglitz. To learn more, please visit the museum website.

Photographs from Pieter Hugo’s La Cucaracha series and Markus Brunetti’s FACADES were featured in the exhibition Image and the Photographic Allusion, at the Oakland University Art Gallery in Rochester, Michigan from February 2 to April 3, 2022. The exhibition explores the endurance of photography as an art form in an age when digital images snapped on smartphones have become commonplace. For more information, please visit the Oakland University Art Gallery website.

Daniel Gordon was featured in a public art installation, Daniel Gordon on The Greenway, at the Rose Kennedy Greenway in Boston, MA, from May 2021 - May 2022. Past featured artists in the Rose Kennedy’s Public Art Program include Yinka Shonibare, Juan Travieso, and Andy Li. For more information, please see the Rose Kennedy website.

Meghann Riepenhoff participated in a group exhibition, Songs of the Sky: Photography and the Cloud at the C/O Berlin, Berlin, Germany, from December 11, 2021 – April 21, 2022. The exhibition explored the “cloud” as a conceptual bridge between historical photography, which looked to the skies for inspiration, and our current moment, in which the cloud is a more nebulous technology. This show was planned with Les Rencontres d’Arles. For more information, please see the C/O website.

Takuma Nakahira was featured in the MoMA's revamped permanent collection gallery 419: Living for the City. Nakahira's iconic “Circulation: Date, Place, Events” series was featured alongside works by Barbara Brändli, Richard Misrach, and Nalini Malani. Nakahira, a critical theorist and founder of the Tokyo-based Provoke Movement, which, like "Circulation," was a response to the major social and political upheaval of the late 1960s and 1970s. To learn more, please see the MoMA website.

Matthew Brandt's solo exhibition Carbon, Birch, Silver, Rooms was reviewed in Collector Daily by Loring Knoblauch, who praises Brandt's unique approach to photography, stating that “he has continually pushed the medium beyond its normal boundaries, making photographs that incorporate the physical attributes and context of his subject matter into the very fabric of the art objects he creates.” To read the full article, please visit the Collector Daily website.

Shikeith was featured in conversation with Cherise Smith in i-D's The Darker Issue. At the crux of the interview, Smith and Shikeith discuss how the artist's practice has developed and transformed over the course of the on-going COVID-19 pandemic. Shikeith states, "I had to really reorganise how I thought. The spaces became a lot more meditative and allowed audiences to go within themselves more, which in the end, thanks to the pandemic, I think was super beneficial." Shikeith's work continually explores themes of space, history, the body, and touch--ranging in form from sculpture, film, photography, and performance. To read more, please visit the i-D website.

Multidisciplinary artist Shikeith was featured in Artsy as part of The Artsy Vanguard 2021—the fourth installation of a series recognizing the most promising artists working today. Nicole Martinez elaborates on Shikeith’s multidisciplinary approach, observing that “Shikeith occupies multiple aesthetic realms at once. Working across film, photography, sculpture, and installation, the visual artist presents work that is edgy, yet sensitive to unspoken truths about identity, transformation, trauma and healing. Shikeith explores complex feelings in a relatable way, building off his experience as a queer Black man.” To read more, please visit the Artsy website.

Works by Angela Dufresne and Doron Langberg were included in Any distance between us at the RISD Museum in Providence, RI, from July 17, 2021 – March 13, 2022. The show was an expansion upon co-curator Stephen Truax’s 2018 exhibition at Yossi Milo Gallery, Intimacy. Other artists in the exhibition included Louis Fratino, Deana Lawson, Catherine Opie, and Salman Toor. For more information, please see the museum website.

Shikeith's performance, notes towards becoming a spill, presented at Performa 2021, was featured in Artforum on November 24, 2021. Rachel Valinsky begins her review with a glimpse into the performance, writing: "A gospel choir flanked an illuminated platform, giving breath to the ecstatic and vital choreography of four dancers, clad in diaphanous mesh costumes in various hues of blue that echoed the shifting luminosity of the sea and the sky." The author continues: “Shikeith’s moving work, which continues his ongoing study of blue spaces, boundlessness, and contemporary Black queer identity, metaphorized diasporic longing, ancestral histories, and the ocean as a site of loss and refuge.” To read more, please visit the Artforum website.

Work by Ezra Stoller was on view at the Museum of Modern Art, in an group exhibition entitled Transparency in Architecture and Beyond. The exhibit followed the growing anxieties of privacy and ethics amidst mid-twentieth century America, featuring architecture as both subject and cultural lens. Other featured artists included Le Corbusier, Dan Graham, Brigitte Hellgoth, Jean Tschumi, and many more. For more information, please visit the MoMA website.

In an article for i-D, Ryan White wrote about photographer Pieter Hugo’s ongoing project, Solus Vol.I: a collection of portraits from full-body to headshots. The article explored Hugo's new photographic series and the thematic continuities found throughout his work, from heritage to the steady Pieter Hugo gaze; what White describes as "a piercing look that bores deep inside of you...". To read more, please visit the i-D website.

Hassan Hajjaj participated in a group exhibition, Songs Without Words: The Art of Music at the Nassau County Museum of Art, Roslyn Harbor, NY from November 20, 2021 – March 6, 2022. Songs Without Words explored music through a collected survey of photography, sculpture, instruments, and musical ephemera. For more information, please visit the museum'swebsite.

Kyle Meyer’s Unidentified 48 was on view in Connecting Currents at the Museum of Fine Arts, Houston, throughout 2021. Featured in the museum’s new Nancy and Rich Kinder Building, this inaugural show gathered contemporary works from the museum’s permanent collection, including painting, sculpture, craft and design, video and immersive installations. For more information, please visit the museum’s website.

Works by multidisciplinary artist Shikeith were on view in A Beautiful America at the Museum Dhondt – Dhaenens, Belgium, from November 7, 2021 through January 23, 2022, in one of four exhibitions highlighting the collection of Vermeire-Notebaert. Along with work by a variety of African-American artists, the exhibition featured some of Shikeith’s dreamlike portraits that blur the line between sacred and secular encounters with ecstasy. For more information, please visit the Dhondt – Dhaenens website.

Work by Angela Dufresne was featured in the group exhibition Omniscient at the Leslie-Lohman Museum of Art in New York, NY from June 18, 2021 - January 2, 2022. The show examined intersections between queer identity and contemporary digital image culture through three major themes: popular culture as queer iconography, images in the public sphere and mass media, and representation beyond the body. For more information, please visit the Leslie-Lohman website.

Works by Sarah Anne Johnson were on view in On the Basis of Art: 150 Years of Women at Yale at the Yale University Art Gallery in New Haven, CT from September 10, 2021 - January 9, 2022. Honoring the 50th anniversary of coeducation at Yale and the 150th anniversary of the first enrollment of women students in the university’s fine arts program, On the Basis of Art was comprised of artworks by women from the Art Gallery’s collection. Other featured artists included Jennifer Bartlett, Njideka Akunyili Crosby, Eva Hesse and Maya Lin. For more information, please visit the Yale University website.

A solo exhibition featuring Nevet Yitzhak, Re-collection, was on view from June 25, 2021 - January 2022 at the Wilfrid Israel Museum for Asian Art and Studies, Kibbutz HaZorea, Israel. In light of the museum's 70th anniversary, Yitzhak drewon the kibbutz archives to reassemble the museum's original collection of Asian art, playing with conventional museum categories and notions of provenance, fact, and fiction. For more information, please visit the museum website.

Yossi Milo Gallery participated in Paris Photo 2021, which took place at the Grand Palais Éphémère from November 11 - 14, 2021, with a presentation of work by Matthew Brandt, Hassan Hajjaj, Sarah Anne Johnson, Ken Light, Kyle Meyer, Meghann Riepenhoff, Alison Rossiter, and Shikeith. For more information, please visit the Paris Photo website.

Yossi Milo Gallery presented works by Sarah Anne Johnson and John Gill in the ADAA's The Art Show 2021 at Park Avenue Armory from November 3-7, 2021. Though disparate in painterly approaches, both artists enhance the basic forms of their disciplines through color. Gill’s ceramics emphasize tension between the stability of the vessel and the variation of geometric pattern and color. Johnson hand-applies paint, ink, glitter, and stickers to photographs of forest scenes, creating a visual representation of what is both seen and unseen in nature. Together, these artists bring refreshed perspectives on the effects of color across different media. For more information, please visit the ADAA website.

Matthew Brandt’s solo exhibition, Orphic Forest, was on view at the Erarta Museum in St. Petersburg, Russia, from August 6 – December 5, 2021. The show focused on Brandt’s Silver series, where large-scale images of trees are rendered in metallic tones, featuring specially commissioned works of local trees around St. Petersburg. These works are now part of the museum’s permanent collection. For more information, please see the Erarta website.

Paintings by Doron Langberg were featured in Queer/Dialogue, a group show at the Grinnell College Museum of Art, on view from September 3 - December 11, 2021. The show, curated by Daniel Strong and Greg Manuel, featured seven artists who explore the ever-shifting definitions and limits of “queerness” from across a diverse range of media and identity expression. Other featured artists included Catherine Opie, Jordan King, Jeremy Laing, Paul Mpagi Sepuya, Christina Quarles, and Devan Shimoyama. For more information, please visit the museum’s website.

Work by Angela Dufresne was on view in the group exhibition Re: Representation - Part I at the Jonathan Ferrara Gallery in New Orleans, LA from October 20 through December 11, 2021. Part one of a two part exhibition curated by Dan Cameron, the exhibit displayed new and recent work by a dozen American painters, each exploring a varied approach to representation. Other featured artists included Farley Aguilar, Margaret Curtis, James Esber, David Humphrey, and Lamar Peterson. To learn more, please visit the gallery's website.

Multidisciplinary artist Shikeith's experimental opera, notes towards becoming a spill, presented at the Performa 2021 Biennial, was screened live via the Performa website on Friday, October 29th at the following times: 11:00AM, 2:00PM, and 6:00PM. Performed by the ocean, the artist's experimental opera explored themes of black masculinity, queerness, and transformation amidst trauma traveled through bloodlines. For more information, please visit the Performa website.

Multidisciplinary artist Shikeith showcased his first major performance at the Performa 2021 Biennial in New York City, October 23-24, 2021. The experimental opera follows the thread of hauntology vis-à-vis themes of black masculinity, queerness, and transformation. For more information, please visit the Performa website.

Kyle Meyer at Yossi Milo made ARTnews 10 Best Booths at New York's 2021 Armory Show. Displayed was a piece from Meyer's ongoing series, Unidentified. This photo series incentivizes a focus on the queer community in Eswatini, where homosexuality is illegal. Through weaving and obfuscation, Meyer teases forward ongoing tensions of masculinity, identity, and safety. To read more visit the ARTnews website.

Mark Ruwedel was shortlisted for the 2021 Prix Pictet, the ninth cycle of the prize with a focus on the theme of "fire." Ruwedel was nominated by the jury for his LA Fires series (2017 - 2020). The photographs document the La Tuna fire in 2017, which is considered to be the largest in the history of the city. For more information, please see the Prix Pictet website.

Multidisciplinary artist Nevet Yitzhak participated in a group exhibition at KOU Gallery, Rome, Italy, on view from October 25 – October 30, 2021. The exhibit, Visual Territories, focused on exploring themes of place, narrative, and reality through the medium of video art. Works like Yitzhak's prompt audiences to consider how is the idea of place suggested through the mechanisms of visual media, between vision and words. For more information, please visit the Rome Art Week website.

Galerie featured Yossi Milo Gallery and Kyle Meyer in their article, "Discover 7 Highlights from the 2021 Armory Show’s VIP Preview." For more information, please visit the Galerie website.

London designer Grace Wales Bonner drew on mid-century Burkina Faso and the portraiture of Sanlé Sory for her Spring-Summer 2022 collection. Bonner, a British-born designer of Jamaican descent, is known for fashion collections based on in-depth research on African diaspora and Black identity. To read more about how Sory's work influenced Bonner's work, please see her interview on CNN.

A solo exhibition of Hassan Hajjaj’s work, VOGUE, The Arab Issue, was presented at Fotografiska New York, from March 19 – November 7, 2021. In his titular series, Hajjaj photographs local women from his home country of Morocco parodying the poses typically found in Western fashion photography. His subjects “model” traditional garments—such as djellabas and hijabs—that the artist has designed to feature counterfeit brand logos, polka dots and leopard prints. Other series to be featured include Dakka Marrakchia, Legs, Handpainted Portraits and Handprints.

Kyle Meyer: Interwoven is the winner in both book and cover award categories in the 2020 American Institute of Graphic Arts (AIGA) 50 Books | 50 Covers. Jurors commended the book, co-published by Radius Books and Yossi Milo Gallery, for its striking photographic cover and interior design. For more information, please visit the AIGA website.

Yossi Milo Gallery participated in the 2021 edition of The Armory Show at The Javitz Center from September 9-12, 2021, featuring work by Matthew Brandt, Uriel Caspi, Hassan Hajjaj, Asif Hoque, Nash Glynn, John Gill, Sarah Anne Johnson, Pierre Knop, Grace Metzler, Kyle Meyer, Alison Rossiter, Ibrahim Said, Shikeith, and Paolo Serra. For more information, please visit the Armory Show website.

Yossi Milo Gallery is pleased to announce representation of artist Ibrahim Said. The gallery will present a solo exhibition of the artist’s work in 2022, after a preliminary showing at the Fall 2021 Armory Show. To read more about the artist's practice, please see the press release.

Fotografiska New York hosted a screening of Hassan Hajjaj's A Day In The Life of Karima: A Henna Girl on September 12 from 2:00 - 4:00 pm. The film explores Karima, one of Hajjaj's subjects from his photo series Kesh Angels: a collection of photographs following girl biker gangs on the streets of Marrakesh. For more information please visit the Fotografiska website.

To celebrate the 25th year of the Deutsche Börse Photography Foundation Prize, the Photographer's Gallery hosted a conversation with Pieter Hugo, Laia Abril and Donovan Wylie moderated by curator Anna Dannemann on July 21, 2021, at 6:30pm. The conversation revolved around the ongoing importance of the medium and the mechanisms of the prize and its role in shaping photographic practice today. To learn more, please see the Photographer's Gallery website.

Pieter Hugo was featured in a solo exhibition, Being Present, at the 2021 edition of Les Rencontres d’Arles, from July 4 – September 26, 2021. This exhibition looked back at Hugo’s portraiture practice throughout the last two decades, bringing together more than 100 works by the artist. Curated by Federica Angelucci, “Being Present” raised questions of insider-outsider dynamics, questions of surveillance, and the intimacy of the gaze in portrait photography. For more information, please see the Rencontres website.

A solo exhibition, Between: Artist Books, Albums, and Portfolios from the Mark Ruwedel Photography Archive at Stanford, was on view from May 27 – September 26, 2021, at Stanford University. The exhibition celebrated the university’s recent acquisition of Ruwedel’s archive. A Zoom event featuring Ruwedel, curators Ann Thomas and Peter Blank, and Emeritus Professor Richard White, also took place on May 27. For more information, please see the Stanford University website.

Work by Doron Langberg was on view in Intimacy: New Queer Art from Berlin and Beyond, curated by Peter Rehberg, Andrea Kroksnes and Apostolos Lampropoulos, at the Schwules Museum in Berlin, Germany, from December 3, 2020 - August 30, 2021. Artworks across generations and media, including photography, painting, sculpture, video installations and film, centered on depictions of intimacy in queer relationships, particularly as rendered throughout Berlin in the late twentieth and early twenty-first centuries. Other featured artists include AA Bronson, Elijah Burgher, Simon Fujiwara, Nan Goldin, Victor Luque and Paul Sepuya, among others. For more information, please visit the museum’s website.

Shikeith was featured by Artsy's Editorial team in a recent online group show, "8 LGBTQIA+ Artists on Self-Portraiture and Expressions of Pride," alongside words from the artist about his sculpture, Vessel of Possibility (Self Portrait) III. Other artists include Tommy Kha, Laurence Philomene, Chiffon Thomas, and Zachary Drucker. To read the interview and see the full exhibition, please see the Artsy website.

Grace Metzler was featured in a three-person exhibition, Sunsets on Mars are Blue, at the Arts Center at Duck Creek, East Hampton, NY, from June 12 - July 18, 2021. Metzler, alongside painters Kylie Manning and Jay Miriam, finds humor between the lines of abstraction and figuration. To learn more, please see the Center's website.

Work by Alison Rossiter was on view in Controlling the Chaos at Carnegie Museum of Art from November 20, 2020 – July 25, 2021. Exhibited in the museum’s first-ever galleries devoted to photography, the show gathers works from the permanent collection featuring a range of responses to the complexity of contemporary life. For more information, please visit the museum’s website.

Shikeith's film, #blackmendream (2014), was featured in The Criterion Channel’s June 2021 Lineup. In celebration of Pride Month, the film archive hosted an array of queer-themed films on its platform, from documentaries to screwballs. To learn more, please see The Criterion Channel website.

Paintings by Doron Langberg were on view in Breakfast Under the Tree, a group show curated by actor Russell Tovey at Carl Freedman Gallery in Margate, UK from June 4 - August 14, 2021. The exhibition gathered works depicting contemporary social scenes, group portraits and shared spaces from across media by an international group of artists, together illustrating how we live today. For more information, please visit the gallery’s website.

Works by Matthew Brandt, Chris McCaw and Meghann Riepenhoff were on view in Ansel Adams in Our Time at Portland Art Museum, in Oregon, from May 5 – August 1, 2021. The exhibition features Adams’ photographs juxtaposed with those by 19th-century photographers who inspired him and works by contemporary artists influenced by his legacy. The show debuted at Museum of Fine Arts, Boston and travelled to Crystal Bridges Museum of American Art, in Arkansas. For more information, please visit the Portland Art Museum website.

Kohei Yoshiyuki’s The Park is featured in Numéro Magazine by writer Alexis Thibault, who describes the dynamics of voyeurism within these scenes of “nocturnal coitus.” Thibault also looks back at the London Tate Modern's 2010 group exhibition, Exposed - Voyeurism, Surveillance and the Camera, which included several of Yoshiyuki’s works. To read the full review, please see the magazine website.

Mike Brodie is featured in an interview and article in AnOther Magazine, published May 25, 2021. In this rare interview, Brodie discusses his seminal series A Period of Juvenile Prosperity, how the train subculture has changed a decade later, and his recent return to photography. To read the full conversation, please see the AnOther website.

Hassan Hajjaj’s solo exhibition, VOGUE: The Arab Issue, was featured in Forbes by writer Chadd Scott. “[Hajjaj] embraces a melting pot of influences in his work – from popular culture and street style to hip-hop and haute couture,” Scott writes. “His eclectic confrontation of styles invites viewers to re-examine cultural stereotypes and clichés. To see the full article, please see the Forbes website.

Work from Kyle Meyer’s Interwoven project was on view in New York to New Mexico: New Acquisitions at Montclair Art Museum, in New Jersey, from February 7 – June 13, 2021. The exhibition showcased American and Native American art and objects recently acquired or donated to the museum’s permanent collection. Other featured artists included Alfred Stieglitz, Norman Lewis and Salvatore Mancini. For more information, please visit the museum’s website.

Works from Pieter Hugo's series, There’s a Place in Hell for Me and My Friends, were included a group exhibition at the Museum of Civilizations of Europe and the Mediterranean in Marseilles, France, from May 19 – June 28, 2021. The exhibition, “Civilization – The Way We Live Now,” drew together a plural portrait of our contemporary world through the work of more than one hundred photographs across five continents. For more information, please see the museum website.

The New York Times listed Hassan Hajjaj’s My Rockstars exhibition in its article, “4 Art Gallery Shows to See Right Now.” Will Heinrich’s review observes how these “explosively joyful color portraits” allow Hajjaj to reclaim representations of his home country. To read the full feature, please visit the Times website.

Hassan Hajjaj presented at the International Center of Photography at 1pm on May 12, 2021, sharing about his industry spanning practice. The talk was part of the ICP’s lecture series featuring photographers who champion social change, expand the form through innovative practices, and critically engage with visual culture today. To learn more, please see the ICP website.

Mark Ruwedel’s work is included in American Geography: Photographs of Land Use from 1840 to the Present, published by Radius Books and SFMOMA. The book draws from the permanent photography collection at SFMOMA, charting different forms and uses of land across the United States. Other artists in the monograph include Dawoud Bey, An-My Lê, Wendy Red Star, Victoria Sambunaris, and Stephen Shore. For more information, please see the Radius website.

The New Yorker featured Hassan Hajjaj’s My Rockstars series and exhibition in its Photo Booth section on May 8, 2021. To see the full feature, “Cardi B. and Other ‘Rockstars,’ Through the Eyes of the Moroccan Artist Hassan Hajjaj,” please visit the New Yorker website.

Works from Sze Tsung Nicolás Leong’s History Images series are featured in the Getty's new Google Arts and Culture exhibition, Contemporary Voices in Asian American Photography. In celebration of Asian American and Pacific Islander Heritage month, the Getty features six leading photographers from its permanent collection, including Soo Kim, Jeff Chien-Hsing Liao, and Hiroshi Watanabe. To see the online exhibition, please see the Google Arts webpage.

Sanlé Sory's Les Gentlemen de Cocody (1978) was featured by writer Tim Adams in the Guardian’s weekly photography column, “The Big Picture.” To read the full review, please see the Guardian website.

Shikeith was featured in the “new talent” section of the May/June Art in America issue, edited by Antwaun Sargent. Shikeith discussed concepts and footage included in still waters run deep (2021), a site-specific installation at the Museum of Contemporary Art Cleveland, in Ohio, as part of a group exhibition, “Imagine Otherwise.” For more information, please visit the publication website.

Markus Brunetti was interviewed about his FACADES series by 1814 Magazine in their Spring/Summer 2021 issue. 1814 MAGAZINE is a limited edition, bi-annual publication that focuses on photography, art, design and culture. To learn more, please see the publication website.

Yossi Milo Gallery is pleased to announce representation of artist Shikeith. The artist’s premiere exhibition at the gallery will open in 2022. For more information, please visit the gallery's website.

Nevet Yitzhak’s Warcraft installation was on view in Afterlight Afterglow: Video Installation and Their Pioneers at Kunsthaus Baselland, in Basel, Switzerland, from January 23 - May 24, 2021. Curated by Ines Goldbach, the exhibition focused on video work from the 1950s in the present day. Other participating artists include Karl Gertsner, Roy Lichtenstein, Oscar Muñoz, Nam June Paik, and Teresa Serrano. For more information, please visit the museum website.

A photograph by Ezra Stoller was featured as the cover of the New York Magazine on April 26, 2021. This "Yesteryear" issue features stories and photographs of office culture in the past 150 years. Stoller's image is part of his well-known work on the Seagram Building, itself an iconic example of New York City's International Style architecture. To learn more, please see the magazine website.

Sarah Anne Johnson's Woodland exhibition at Yossi Milo Gallery was reviewed in the quarterly “painting” issue of Border Crossings Magazine, released in May 2021. Benjamin Klein writes, “Confronting the works in person provides a different experience from seeing them digitally … In the gallery space, the works in the show generate an encompassing physically felt sensation—of being in the landscape and of having the invisible-made-seen." For more information, please visit the Border Crossings website.

Work by Shikeith was included in a group exhibition, This Is the Day, from April 24 – August 16, 2021 at the Crystal Bridges Museum of American Art in Bentonville, AR. Focusing on the Black church and its role in providing spiritual and political leadership, This Is the Day brought together artistic representations of faith, resilience, and spiritual community across Black communities and history. Other artists in the exhibition included Aaron Turner, Faith Ringgold, and Bruce Davidson. For more information, please see the Crystal Bridges website.

Mark Ruwedel’s work was featured in the Boston Globe, in an article examining works of art that demonstrate the endurance of cities. “Ruwedel shoots straight on, abjuring fanciness, as befits the low-slung, unfancy spaces he documents,” Mark Feeney writes. “The images are almost hypnotically uninflected. Cities generally revel in inflection ... which lends these cityscapes a very suburban look. But that’s a reminder of how much cities can and do differ: Not just defined by diversity, they are themselves diverse.” To read the full article, please see the Globe website.

Matthew Brandt was featured in Musée Magazine as part of their April series, “The Earth." Trevor Bishai writes, “Brandt’s process is not only an innovative way of creating artworks, but is also highly conceptual, as he always strives to link the medium with the subject in art. With photography, he has found many ways to place the photographic process into conversation with what is being photographed.” To read the full article, please see the magazine website.

Loretta Lux was part of a group exhibition, Botticelli: His Time and Our Time, from May 22 – September 26, 2021 at the Museum of Modern and Contemporary Art of Rovereto (MART). The exhibition considered the influence of Sandro Botticelli upon his Renaissance contemporaries and present day artists. Other artists in the exhibition included Vik Muniz, Juergen Teller, and Fernando Botero.

A decade after his death in Libya, Tim Hetherington is remembered by Peter Bergen, CNN’s national security analyst, in a tribute on CNN. “Tim lived and worked in the toughest environments in the world … where he died while chronicling violence in the war-torn city of Misrata. But he was never jaded by those experiences, nor was he a showboat about his many years on the front lines. He was a very gentle man. A gentleman.” To read the full piece, please see the CNN website.

Meghann Riepenhoff presented the Anderman Photography Lecture at the Denver Art Museum in Denver, CO, on May 11, 2021. The quarterly lecture series is sponsored by the museum’s Photography Department, and presents talks by preeminent creators and thinkers in photography today. For more information, please see the museum website.

Work from Sarah Anne Johnson's Woodlands series was featured in the May 2021 issue of Town and Country. Johnson's work, LLB (2021) accompanies reflections by novelist R. O. Kwon on sensations of dizziness and wonder caused by works of art in her essay, "Careful Not to FAINT."

Hassan Hajjaj was interviewed live on television for the “Afrique Hebdo” program of the French national television network, France 24. Hajjaj had a live conversation with leading reporter Valériane Gauthier on his exhibition at Yossi Milo Gallery, his international influences, and how he plays with visual Moroccan tropes. To watch the interview, conducted in French, please see the French 24 website.

Daniel Gordon was featured in Musée Magazine as part of their April series, “The Earth,” alongside other photographers such as Ansel Adams and Amanda Musick. “Gordon’s images are exquisitely playful, a cacophony of textures, depths, and colors with a universally engaging appeal to the viewer,” Lara Southern writes. “Each image is a celebration of the old and the new, a testament to Gordon’s mastery of harmonious juxtaposition.” To read the full article, please see the magazine website.

Meghann Riepenhoff was included in a group exhibition, Underexposed: Women Photographers from the Collection, at the High Museum of Art, Atlanta, GA through August 1, 2021. The exhibition charted arenas of the photographic medium where women have significantly contributed and often pioneered the field, from photojournalism to process-based work. For more information, please see the museum website.

Paintings by Asif Hoque and Grace Metzler were included in Contemporary Domesticity, hosted by Taymour Grahne Projects at Noho Studios, in London, UK, from April 14 - 25, 2021. The group exhibition gathered works by international artists exploring modern-day expressions of home and domestic life. Other featured artists included Gina Beavers, Jenna Gribbon, Emily Ludwig–Shaffer and, Michael Stamm. For more information, please visit the gallery’s website.

Blind Magazine’s Sara Rosen reviews Hassan Hajjaj’s concurrent shows, “My Rockstars” at Yossi Milo Gallery and “VOGUE, the Arab Issue” at Fotografiska New York. Rosen also interviews Hajjaj about his career, from his early encounters with photography in the 1960s in northern Morocco, to his first streetwear store in 1980s London. To read the full article, please see the Blind Magazine website.

Doron Langberg was interviewed by T Magazine alongside fellow artist Salmon Toor. In “How Salman Toor and Doron Langberg Inspire Each Other,” Coco Romack interviews both artists about their insights into each other’s respective practices, and their shared interest in queer portraiture. To read the full feature, please see the T Magazine website.

Angela Dufresne was the weekly featured guest at the SOUND & VISION Podcast on April 8, 2021, with host and artist Brian Alfred. The two painters come together in an open discussion about Dufresne’s creative process, growing up in Kansas, thoughts on MFAs, and more. To listen to the full conversation, please see the podcast website.

Work by Shikeith was featured in Feeling the Spirit in the Dark, a solo exhibition on view at The Mattress Factory in Pittsburgh, PA through June 13, 2021. Incorporating photography, video, sculpture and sound, Shikeith creates a series of environments that explore histories of the Black male body alongside both sacred and secular expressions of ecstasy. For more information, please visit the museum’s website.

Collector Daily’s Loring Knoblauch reviewed My Rockstars, observing that “Hajjaj is expanding the edges of how a 21st century photographic portrait can succeed, looking for unexpected ways to bring together layers of complex individuality that don’t normally fall neatly into line.” To read the full article, please visit the Collector Daily website.

Commissioned work by Shikeith was exhibited in Enunciated Life at the California African American Museum in Los Angeles, CA, from March 27 - August 15, 2021. Through video, painting, photography, and installation, the group show explored artists who draw upon sonic and choreographic elements of Black spirituality, making legible different bodily experiences and social issues. For more information, please visit the museum's website.

Sarah Anne Johnson’s Explosions was featured in the Capture Photography Festival in Vancouver, Canada, from March 22 – May 15, 2021. Explosion is part of Johnson’s Arctic Wonderland series, which she developed in 2009 while participating in the Arctic Circle residency. The painted photographic work, presented at the festival as a pubic installation billboard, explores Johnson’s subjective experience of climate change in the Arctic landscape. For more information, please visit the festival website.

Pieter Hugo and Matthew Brandt were part of a group exhibition, TRANSFORMATION at the Blowing Rock Art and History Museum, Blowing Rock, NC, from March 20 - August 21, 2021. The exhibition explored the transformation of the photographic process across decades, materials, and media. For more information, please see the museum website.

A new site-specific installation by Shikeith commissioned by moCa Cleveland, in Ohio, was on view in Imagine Otherwise February 18 — June 6, 2021. Organized by La Tanya S. Autry, moCa Cleveland’s first on-staff Black curator, the four-person exhibition presented work across media that highlights the ability of Black cultures to persist by always "imagining otherwise." Other featured artists included Imani Dennison, Amber N. Ford, and Antwoine Washington. For more information, please visit moCa Cleveland’s website.

Artforum reviews Long and Short Shots, with writer Colin Edgington describing Dufresne's "flamboyant canvases" as "a vision of a soft but salacious utopia full of unabashed living and endless love." To read the full article, please visit the magazine's website.

In Hyperallergic, John Yau reviews Dufresne's current exhibition at the gallery, writing: “I cannot think of another narrative painter as expansive, surprising, funny, unsettling, tender, wacky, challenging, theatrical, and radically imaginative as Angela Dufresne”. To read the full article, please visit the publication's website.

The New York Times reviews Angela Dufresne’s solo exhibition, Long and Short Shots, with critic Jillian Steinhauer observing how the artist's “series of big, stunning paintings” are “the imaginings of a liberated hand and mind.” To read the full article, please visit the newspaper’s website.

A virtual panel discussion about Angela Dufresne’s exhibition, Long and Short Shots, was hosted via Zoom on February 18. The conversation was moderated by Melissa Ragona, and included Charles Bernstein, Nayland Blake and Dufresne. To watch a recording, please visit the YouTube page.

As part of their Triptych series, Yoffy Press launched new books by Matthew Brandt, Chris McCaw and Meghann Riepenhoff, collectively titled Element. The publication centers on each artist's investigation of the relationship between image and environment, incorporating such elements as sunlight and lake water into their photo-based, process-driven works. The book, which includes an essay by Jon Mooallem, was released in March 2021. For more information, please visit the Yoffy Press website.

In his review of Angela Dufresne's solo exhibition Long and Short Shots for Two Coats of Paint, Andrew Woolbright writes that Dufresne’s “dazzling and spectral” paintings “pose new paths forward from John Currin and Lisa Yuskavage’s discourse on figural strategies.” To read the full article, please visit the publication’s website.

Work by Daniel Gordon was included in Still/Live at the Katonah Museum of Art in Katonah, NY from March 16 – June 27, 2021. The group exhibition explored how the traditional Still Life genre is being reinvented by contemporary artists employing new technologies across photography, video and new media. For more information, please visit the museum’s website.

Frieze Magazine interviews Shikeith about his solo show at The Mattress Factory, in Pittsburgh, PA. Writer Mia Imani Harrison observes that the museum’s presentation “feels as much like an act of spiritual cleansing as an exhibition.” For more information, please visit the magazine’s website.

Work by Shikeith will be included in Inspirited: Coda at Red Bull Arts Detroit, in Michigan, this Spring 2021. Curated by Taylor Aldridge, the exhibition presents works that draw on visual and performative iconographies of Black spirituality, Pentecostalism and church services to explore complex experiences such as euphoria, vulnerability, faith and longing. Other featured artists include Allie McGhee, Steffani Jemison and Tiona Nekkia McClodden. For more information, please visit the program’s website.

Myoung Ho Lee adapted a photographic work from his Tree series into a large-scale billboard installation for PLATFORM 26, which was on view at deCordova Sculpture Park and Museum, in Lincoln, MA from July 8, 2020 - June 1, 2021. PLATFORM is a series of one-person commissioned projects by early-and mid-career artists that engages with deCordova’s unique landscape and encourages visitors to experience new approaches to contemporary sculpture. For more information, please visit the institution’s website.

A new monograph by Meghann Riepenhoff, Ice, was launched in Spring 2021. The book features a series of cyanotype prints made in collaboration with freezing landscapes, from Walden Pond to creeks in western Washington, whose unique environmental attributes become physically inscribed into the photographic materials. Ice is co-published by Radius Books and Yossi Milo, with text by Rebecca Solnit. For more information, please visit the Radius Books website.

Paintings by Angela Dufresne were featured in Visionary New England, on view at deCordova Sculpture Park and Museum in Lincoln, MA, from October 8, 2020 - March 14, 2021. Visionary New England drew on the region’s longstanding history of visionary and spiritual social practices to offer a vision for future harmony between humanity and the natural world. Other featured artists included Caleb Charland, Anna Craycroft, Josephine Halvorson and Kim Weston. For more information, please visit the deCordova website.

Work by Shikeith was included in The National at Fort Wayne Museum of Art, in Fort Wayne, IN, through January 31, 2021. The annual showcase presents photographic work by artists from across the country, with the intention of gathering the best contemporary photography created or exhibited within the U.S. in the last year. For more information, please visit the museum’s website.

Woven photographs by Kyle Meyer were featured in Shifting Gaze: A Reconstruction of The Black & Hispanic Body in Contemporary Art at the Virginia Museum of Contemporary Art in Virginia Beach from March 21, 2020 – January 3, 2021. Organized by the Mennello Museum of American Art, the exhibition included work from the collection of Dr. Robert B. Feldman by artists engaging with poignant issues of race, sexuality and violence within the discourse of the African and Hispanic Diaspora. Other featured artists included Lynette Yiadom-Boakye, Paul Henry Ramirez and Mickalene Thomas.

Frieze Magazine reviews Sarah Anne Johnson's Woodland, with Joseph R. Wolin writing how "the artist’s interventions…transform the woods into magical glades, each of slightly differing character.” To read the full review, please visit the magazine’s website .

Works by Matthew Brandt were included in On Earth: Imaging, Technology and the Natural World at Le lieu unique in Nantes, France from October 2, 2020 - January 3, 2021. Other featured artists include Thomas Albdorf, Melanie Bonajo, Lucas Foglia, Noémie Goudal, Adam Jeppesen and Maya Watanabe. The exhibition debuted at the 50th edition of the Rencontres d’Arles, before traveling to Foam Fotografiemuseum Amsterdam and Le lieu unique. For more information, please visit Le lieu unique's website.

John Chiara was included in the group exhibition, "Gathering Clouds: Photographs from the Nineteenth Century and Today," at the George Eastman Museum in Rochester, NY, from July 26, 2020 - January 3, 2021. The exhibition explores how cloud photographs have influenced the development of photographic technology and aesthetic debates in the medium. Other artists include Carrie Mae Weems, Vik Muniz, Penelope Umbrico, and Trevor Paglen. For more information, please see the Eastman Museum website.

Shikeith has been named a 2020 recipient of the Art Matters Foundation Grant, awarded annually to artists and collective teams working across contemporary art and performance, with special emphasis given to art focusing on social issues and experimenting with form. For more information, please visit the foundation’s website.

Yossi Milo Gallery is pleased to announce partnership with God’s Love We Deliver and Markus Brunetti in the creation of a special fundraising print in support of God’s Love and communities that have been marginalized by poverty and discouraged by unequal access to healthy food. For more information about the artwork and campaign, please visit our website.

Works by Matthew Brandt, Chris McCaw and Meghann Riepenhoff were on view in Ansel Adams in Our Time at Crystal Bridges Museum of American Art in Bentonville, AR, from September 19, 2020 – January 3, 2021. The exhibition featured Adams’ photographs juxtaposed with those by 19th-century photographers who inspired him and works by contemporary artists influenced by his legacy. Having debuted at Museum of Fine Arts, Boston, the show will also travel to Portland Art Museum, in Oregon. For more information, please visit the Crystal Bridges website.

Artforum reviews "Substance of Density 1918-1948", with Jeffrey Kastner writing how “the elegant, conceptually expansive work of Alison Rossiter also conjures extraordinary ordinary presences.” To read the full review, please visit the Artforum website .

Photographs by Chris McCaw and Meghann Riepenhoff were featured in Image + Object, presented from July 10 - November 29, 2020 at New Museum Los Gatos, in Los Gatos, CA. The exhibition features work by four Bay Area artists, each exploring different methods of relating the photographic process and the subject of the image. For more information, please visit the New Museum Los Gatos website.

Photographs by Chris McCaw, Meghann Riepenhoff and Alison Rossiter were on view in Photography to the Test of Abstraction, presented from September 12 – December 6, 2020 at three simultaneous venues across France: FRAC Normandie Rouen, in Rouen; Micro-Onde, Centre d’art contemporain de l’Onde, in Vélizy-Villacoublay; and Centre Photographie D’Île-De-France, in Pontault-Combault. This comprehensive survey exhibition cataloged the diversity of approaches found in contemporary non-figurative photography. For more information, please visit the FRAC Normandie Rouen website.

Angela Dufresne was featured in Evocations from April 20 - March 13, 2022, at the Nerman Museum of Contemporary Art, Overland Park, KS. The exhibition was a celebration of the museum's diverse permanent collection, organized by former Executive Director and Chief Curator Bruce Hartman. To learn more, please visit the Nerman website.

Large-scale cyanotypes by Meghann Riepenhoff were on view in Women in Photography – Lay of the Land at Informality Gallery in Henley-on-Thames, UK from October 15, 2020 – January 9, 2021. Curated by Informality and Virginia Woods-Jack, the exhibition featured artists from the UK, New Zealand, Australia and North America, whose photo-based works address the interrelationship between themselves and their natural surroundings. For more information, please visit Informality’s website.

Myoung Ho Lee: [drənæna] was on view at GoEun Museum of Photography, in Busan, Korea, presenting a comprehensive survey of Lee’s past two decades of photography, as well as new camera-less works completed in Busan especially for the show. Natural motifs recur throughout Lee’s images, including grass, trees, mirages, fields, flowers, sunbeams, wind, snow, rain and seas, as Lee investigates fundamental questions about process, representation and performance in photography today. On view from September 22 – November 25, 2020. For more information, please visit the museum’s website.

Paintings by Doron Langberg were featured in the group exhibition Warmth and Promise at Rachel Uffner Gallery in New York City, from September 23 – November 7, 2020. The exhibition gathered figurative works by five artists engaged with themes of intimacy, whether through depictions of friends and romantic partners or of objects and personal spaces. The other featured artists were Anne Buckwalter, Clarity Haynes, Oscar yi Hou and Bailey Scieszka. For more information, please visit the gallery’s website.

Works by Meghann Riepenhoff and Mark Ruwedel were on view in Fact and Fiction in Contemporary Photography at the Joslyn Art Museum in Omaha, NE, from February 8 - October 18, 2020. Featuring works ranging from abstract, cameraless and digitally manipulated to ‘straight’ photography, the exhibition’s 20 artists surveyed possibilities for understanding, and undermining, the notion of photographic veracity. Other featured artists include James Casabere, John Divola, Lalla Essaydi, Mickalene Thomas and Carrie Mae Weems. For more information, please visit the Joslyn Art Museum website.

Work by Alison Rossiter was installed at Houston Center for Photography in the group exhibition Keeper of the Hearth: Picturing Roland Barthes’ Unseen Photograph from September 10, 2020 – January 10, 2021. Curated by Odette England, the exhibition gathered images and texts by over two-hundred photo-based writers, critics, curators, and historians invited by England to engage Barthes’ influential Camera Lucida book on its fortieth anniversary. For more information, please visit Houston Center for Photography’s website.

Work by Myoung Ho Lee was presented in the Changwon Sculpture Biennale showcased at Yongji Park and Seongsan Art Hall, in Changwon, South Korea, as well as online, until November 1, 2020. Orchestrated by Artistic Director Sung-Ho Kim, this year’s 10th anniversary edition, Non-Sculpture: Light or Flexible, departs from emphasizing sculpture as volume and mass, to instead present large outdoor installations that suggest how sculpture can be fruitful points of departure for other artistic media. For more information, please visit the biennial’s website.

Golden Showers of Love, 2019, a new mural-sized painting by Angela Dufresne, was on view in Transitional Positions, a virtual exhibition curated by painter Eric Fischl for Galerie St. Etienne, through September 11, 2020. After selecting works from the gallery’s extensive inventory of early twentieth-century Austrian and German artworks by artists such as Max Beckmann, Otto Dix, George Grosz, Gustav Klimt, and Egon Schiele, Fischl then invited eleven contemporary women painters to select pieces to pair with one of their own works for the exhibition dealing with similar issues. Other featured artists included Nicole Eisenman, Tracey Emin, Jennifer Packer, Jenny Saville and Joan Semmel, among others. For more information, please visit the exhibition’s website.

Works by Matthew Brandt, Chris McCaw and Kyle Meyer were installed in the exhibition ONE: An Exhibition of Unique Objects at Transformer Station, in Cleveland, OH, from September 18, 2020 – January 3, 2021. The exhibition gathered work by artists subverting the conventional expectations of photography in their production of a one-of-a-kind objects. For more information, please visit the Transformer Station website.

Work by Doron Langberg was included in *Intimate Companions," the inaugural exhibition hosted by the Provincetown Arts Society at the Mary Heaton Vorse House, in Provincetown, MA from July 3 – September 8, 2020. Curated by Joe Sheftel, fifty works were gathered by thirty-six artists that explore representations of the body and intimate personal relationships through a queer lens. Other featured artists included Paul Cadmus, David Hockney, George Platt Lynes, Sam McKinniss, Danielle Orchard, Paul Mpagi Sepuya, Robin F. Williams and David Wojnarowicz, among others. For more information, please read the exhibition’s full press release.

A solo exhibition, Hassan Hajjaj: The Path, was on view at Arnolfini, in Bristol, UK from July 30 – November 1, 2020. Curated by writer and broadcaster Ekow Eshun, The Path incorporates work from three of Hajjaj’s primary photographic series and references the artist’s personal journey from his birthplace in Larache, Morocco, to his later experience working in London and all around the globe. For more information, please visit the Arnolfini website.

Yossi Milo Gallery hosted a curbside book signing for Kyle Meyer's debut monograph, Interwoven, on Thursday, September 10, from 5:00 to 8:00 PM. Co-published by Radius Books and Yossi Milo. For more information about the book signing or to order signed copies in advance, please contact info@yossimilo.com.

Work from Pieter Hugo’s 1994 series was on view in Dancing with the Dead at The Lock-Up in Newcastle, Australia, from June 20 – August 9, 2020. Curated by Grace Partridge, the exhibition presented works by ten contemporary artists to explore what experiences of loss can look and feel like when re-interpreted, re-performed and re-presented across a range of artistic media. For more information, please visit The Lock-Up’s website.

Collector Daily’s Loring Knoblauch reviewed Substance of Density 1918-1948, writing how “it is a body of work that quietly simmers with sophistication, and rewards those willing to give it a deliberate and measured look.” To read the full article, please visit the Collector Daily website.

Yossi Milo Gallery hosted a curbside book signing for Alison Rossiter's new monograph, Compendium 1898-1919, on Wednesday, July 29, from 4:00 to 6:00 PM. For more information or to order signed copies, please contact info@yossimilo.com. Rossiter's earlier award-winning publication Expired Paper (Radius Books/Yossi Milo, 2017), with text by art critic Leah Ollman, is also available at the gallery.

Recently acquired works by Marco Breuer were on view in Collecting Photography: From Daguerreotype to Digital at the Victoria and Albert Museum in London, UK, from October 12, 2018 – September 4, 2020. The inaugural exhibition in the V&A’s new Photography Centre explored photography as a way of ‘collecting the world’. Other featured artists included Anna Atkins, Walker Evans, Edward Steichen, Cindy Sherman and Hiroshi Sugimoto. For more information, please visit the V&A website.

“Joe and Edgar” (2020), a new painting by Doron Langberg, was displayed throughout NYC in Public Art Fund’s multi-platform, city-spanning exhibition Art On the Grid, through September 20, 2020. In partnership with JCDecaux and NYC & Company, spaces typically reserved for advertising and public messaging serve as temporary canvases for 50 artists to showcase works that encourage the public to re-engage with their communities. Other featured artist included Jordan Casteel, Jordan Nassar, Danielle Orchard, GaHee Park, Salman Toor and D’Angelo Lovell Williams, among others. For more information, please visit the Public Art Fund website.

Works by Hassan Hajjaj were featured at Intersect Aspen, an online viewing room and virtual art fair, as part of the exhibition Five Artists, Five Mediums, Five Days, from July 22-26, 2020. Presented by critic and curator Paul Laster, the program featured one artist for each of the five featured mediums, which include drawing, painting, sculpture, photography and film/video, accompanied by a series of online talks.

Kyle Myer: Interwoven features reproductions of the artist’s woven photos combining digital photography and traditional Swazi crafts, lending visibility and empowerment to a silenced LGBTQ minority community in eSwatini. Co-published by Radius Books and Yossi Milo. For more information, please visit the Radius Books website.

Yossi Milo Gallery is pleased to announce a multi-media online presentation featuring new work by Sarah Anne Johnson, including images of large-scale, photo-based landscapes and video from the artist’s studio. Powered by the Art Dealers Association of America, in collaboration with Artlogic. To visit our viewing room, please click here.

Harper's Magazine featured the painting Sarah and Lea (2019) by Doron Langberg in the 'Readings" section of the May 2020 issue. To view the reproduced painting, please visit the Harper's website.

Architectural Digest featured Daniel Gordon's unique fusion of sculpture, collage and photography in its May 2020 issue. “At the heart of what I do is photographic transformation,” Gordon explains. To read the full article, please visit the AD website.

Introspective Magazine and art critic Hilarie Sheets review Substance of Density, 1918 – 1948, describing how Rossiter’s assemblages “call to mind paintings by such artists as Robert Ryman, Agnes Martin and Sean Scully.” To read the full article, please visit the Introspective website.

COMPENDIUM: 1898-1919 is comprised of a chronology of twelve assemblages made by Rossiter from the earliest expired photographic papers in her collection. Co-published by Radius Books, the New York Public Library and Yossi Milo. For more information, please visit the Radius Books website.

The Emergency Benefit Auction for Food Bank For New York City, organized by Doron Langberg and facilitated by Yossi Milo Gallery, concluded on May 8th. Through the collective efforts of artists, galleries, and collectors, over a half-million dollars was raised for Food Bank’s hunger-relief programs. For more information, please visit the auction website powered by Artsy.

The Brooklyn Rail reviews Alison Rossiter’s exhibition, Substance of Density 1918-1948. “Much of the work,” writes Zach Ritter, “evokes different moments in the history of painterly and photographic abstraction.” “To read the full article, please visit the Rail website .

Photographs by Pieter Hugo were on view in Allied with Power: African and African Diaspora Art from the Jorge M. Pérez Collection at Pérez Art Museum in Miami, FL from April 24 - July 26, 2020. Celebrating recent acquisitions to the Jorge M. Pérez permanent collection, Allied with Power underscored issues concerning race, representation, spirituality and more. Other featured artists include Firelei Báez, Elias Sime, Hank Willis Thomas and Kara Walker. For more information, please visit the Pérez Art Museum website.

A new book by Pieter Hugo, La Cucaracha, was released by Editorial RM (Barcelona/Mexico City) in March 2020. The monograph features 54 images taken by Hugo in Mexico in 2018 and 2019, as well as texts by Mario Bellatin and Ashraf Jamal. For more information, please visit the gallery’s Publications page.

A major solo exhibition by Hassan Hajjaj entitled VOGUE: The Arab Issue was on view at Fotografiska, Stockholm, Sweden, from February 14 – June 7, 2020. Hajjaj’s mixed media works reference issues of cultural identity, stereotypes and appropriation in an increasingly globalized world by intermixing western symbols of high fashion and pop art with Moroccan consumer items. For more information, please visit the Fotografiska website.

New York Times critic Siddhartha Mitter reviewed Pieter Hugo's solo exhibition, La Cucaracha, describing how Hugo “designs his portraits collaboratively with his subjects, and the strong color and crisp shooting mostly honor them, especially the close-up frames that dispense with dreamlike stagings.” To read the full article, please visit the New York Times website.

Hassan Hajjaj's portrait of Cardi B was on view in CONTACT HIGH: A Visual History of Hip-Hop at the International Center of Photography in New York, NY, from January 25 - May 18, 2020. The show surveyed the evolution of Hip-Hop since its inception four decades ago, exploring the wide cultural and political impacts of the movement and the plethora of iconic images created along the way. Other featured artists include Janette Beckman, Barron Claiborne, Gordon Parks and Jamel Shabazz. For more information, please visit the ICP website.

Photographs by Markus Brunetti and Ezra Stoller were on view in In Focus: New Acquisitions in Photography at the Muscarelle Museum of Art in Williamsburg, VA, from February 8 – April 7, 2020. In Focus presented recent additions to the Muscarelle’s photography collection, emphasizing the institution’s growing interest in diversity of photographic process and subject matter. Other featured artists include Julia Margaret Cameron, Kristin Capp, Duane Michals and Ruth Orkin. For more information, please visit the Muscarelle Museum website.

Yossi Milo Gallery participated in the 2020 edition of The Armory Show on Pier 94 in New York City from March 4 – 8, featuring work by Matthew Brandt, Angela Dufresne, Daniel Gordon, Hassan Hajjaj, Sarah Anne Johnson, Doron Langberg, Chris McCaw, Grace Metzler, Kyle Meyer, J.D. ‘Okhai Ojeikere, Meghann Riepenhoff and Alison Rossiter. For more information, please visit the Armory Show website.

New commissions by Hassan Hajjaj were included in the Second Lahore Biennale (LB02), Between the Sun and the Moon, across cultural heritage sites in Lahore, Pakistan, through February 29, 2020. Artwork in LB02 explored the issue of climate change and its repercussions, juxtaposing the rich social and cultural history of Lahore with its ancient cosmological understandings of the natural world and self. LB02 featured commissions by more than 20 artists including Madiha Aijaz, Alia Farid, Diana Al-Hadid and Haroon Mirza. For more information, please visit the Lahore Biennale Foundation website.

Photographs by Mark Ruwedel were on view in Walker Evans Revisited as part of the 2020 Biennial for Contemporary Photography at the Kuntshalle Mannheim in Germany from February 29, 2020 - April 26, 2020. Evans’ photographs depicting the realities of American life in the 20th Century will be featured alongside works by contemporary artists including Ruwedel “whose work breathes new life into Evans' oeuvre”. Other featured artists in the exhibition, curated by David Campany, include Justine Kurland, Sherrie Levine and Stephen Shore, among others. For more information, please visit the Kunsthalle Mannheim website.

Photographs by Pieter Hugo were on view in New Works: 20 Years of Art Collection Deutsche Börse at The Cube in Eschborn, Germany from November 22, 2019 - February 22, 2020. The works of the 14 artists featured in New Works explore the conditions of human existence, probing issues of identity and adaptation in a global context. Other featured artists include Jana Bissdorf, Hsu Pin Lee, Anders Petersen and Henry Wessel. For more information, please visit the Deutsche Börse Photography Foundation website.

Photographs by Myoung Ho Lee were on view in Among the Trees at Hayward Gallery in London from March 4 - May 17, 2020. The exhibition drew from a variety of artistic media to investigate the symbolic and aesthetic resonance of trees and their relationship to human civilization. Other featured artists include Robert Adams, Eija-Liisa Ahtila, Tacita Dean, Peter Doig and Anya Gallaccio. For more information, please visit the Southbank Centre website.

Mark Ruwedel’s photographs were featured in Imaging Change: History, Memory, and Social Justice at the Palm Springs Art Museum in Palm Desert, CA, from December 7, 2019 - April 5, 2020. Using Dawoud Bey’s Birmingham Project as a point of departure, the exhibition considered photography’s integral relationship with collective memory and the past, from the beginnings of the Civil Rights Movement to the present day. Other featured photographers include Eve Arnold, Walker Evans, Kora Ezawa, Vik Muniz and Lorna Simpson. For more information, please visit the Palm Springs Art Museum website.

A new release from Phaidon and the estate of Ezra Stoller, Ezra Stoller: A Photographic History of Modern American Architecture, by Pierluigi Serraino was released Fall 2019. Serraino, a practicing architect, author, and educator, guides the reader through a captivating history of 20th-century Modern American architecture, as seen through the eyes of the legendary photographer. For more information, please visit the Phaidon website.

Photographs by Mark Ruwedel were on view in The Polaroid Project: At the Intersection of Art and Technology at the MIT Museum at the Massachusetts Institute of Technology in Cambridge, MA from October 11, 2019 - February 23, 2020. The Polaroid Project investigated the history of Polaroid and the amateur and professional photographers who embraced it. Featuring works by 275 artists, the show explores the significant relationship between art and the technology of the photographic medium itself. Included among the 275 exhibiting artists were Shelby Lee Adams, Guy Bourdin, Barbara Crane, Walker Evans and Andy Warhol For more information, please visit the MIT Museum website.

Photographic works by Pieter Hugo, Myoung Ho Lee and Alison Rossiter were on view in Unseen: 35 Years of Collecting Photographs, at the J. Paul Getty Museum, Los Angeles, CA, from December 17, 2019 - March 8, 2020. Commemorating the 35th anniversary of the photography collection, Unseen created a dialog between its ‘hidden treasures’, none of which have been exhibited at the Getty before. For more information, please visit the Getty Museum website.

Photographs from Pieter Hugo’s series THERE’S A PLACE IN HELL FOR ME AND MY FRIENDS were included in Civilization: The Way We Live Now at the National Gallery of Victoria, Melbourne, Australia, from September 13, 2019 - February 2, 2020. Bringing together over 200 photographs by contemporary photographers across five continents, the exhibition explored how photography records the collective achievements and shortcomings of global civilization. Other featured artists include Katy Grannan, Candida Höfer, Shintaro Sato, Dona Schwartz, and Henrik Spohler. For more information, please visit the NGV website.

An immersive solo exhibition by Hassan Hajjaj, Carte Blanche, was on view at the Maison Européenne de la Photographie (MEP) in Paris, from September 11 - November 17, 2019. Carte Blanche featured photography, video, furniture and installation exploring Hajjaj’s wide-ranging interests including fashion, consumerism, and the cross-cultural musical scenes of London and North Africa. For more information, please visit the MEP website [French].

Photographs by German Artist Marco Breuer were on view in A History of Photography at the George Eastman Museum in Rochester, NY, from October 26, 2019 - April 19, 2020. The exhibition focuses on the photographic vision of immigrants to the United States, from the nineteenth century through today. Other featured artists include Binh Danh, Dina Dar, Andreas Feininger, and José Maria Mora. For more information, please visit the George Eastman Museum website.

Studio photographs by Sanlé Sory were on view in Shape of Light: Defining Photographs from the Frances Lehman Loeb Art Center, at Vassar College in Poughkeepsie, NY, from September 20 - December 15, 2019. As the Center’s first exhibition dedicated to its photographic collection, Shape of Light celebrated the diverse history, innovation, and medium of the photographic works in the show. For more information, please visit the Loeb Art Center website.

Bucuresti, Templul Coral, from Markus Brunetti’s FACADES series was on view in Scenes from the Collection, an ongoing exhibition at the Jewish Museum in New York, NY. The rotating exhibition highlights new acquisitions alongside selections from the Museum’s vast collection, from antiquities to contemporary works. Other featured artists include Nicole Eisenman, Eva Hesse, Deborah Kass and Kehinde Wiley. For more information, please visit the Jewish Museum website.

Photographs by Pieter Hugo were included in Crossing Night: Regional Identities x Global Context at the Museum of Contemporary Art in Detroit, MI, from October 25, 2019 - February 2, 2020. The exhibition investigated the relationship between urban landscape, place, identity, and regional culture, presenting perspectives of contemporary artists from southern Africa on the legacy of post-colonialism. Other featured artists include Margaret Courtney-Clarke, Binelde Hyrcan, Robin Rhode, Penny Siopis and Guy Tillim. For more information, please visit the MOCA Detroit website.

A new monograph of Kohei Yoshiyuki’s seminal photographic series, The Park, was published by Radius Books and Yossi Milo in September 2019. Photographs from The Park series were taken between 1971 and 1979 in the parks of Tokyo at night using infrared film and flash. The new edition features all of the original photographs, never-before-seen images and documentation of the original 1980 and 1982 magazines, Document: Koen. For more information, please visit the gallery’s Publications page.

Work by Alison Rossiter was on view in Voyages & Discoveries at the George Eastman Museum in Rochester, NY, from October 19, 2019 to January 5, 2020. The show placed paintings and an musical playlist by artist duo Anderson & Low in conversation with selections from the museum’s existing collection. For more information, please visit the George Eastman Museum website.

Curator and writer Osman Can Yerebakan reviewed Doron Langberg’s solo exhibition, Likeness, in the Brooklyn Rail, stating Langberg “orchestrates symphonies of figures, surroundings, and waves of abstraction in masterly concert.” To read the full review, please visit the Brooklyn Rail website.

Hyperallergic’s Harry Tafoya reviewed Doron Langberg's first solo exhibition at Yossi Milo Gallery, Likeness. To read the full review, please visit the Hyperallergic website.

A solo exhibition of photographs by Simen Johan was on view at Brad Cushman Gallery at the University of Arkansas at Little Rock, AK, from October 12 - December 2, 2019, concurrent with the artist’s tenth solo exhibition at Yossi Milo Gallery. Johan’s hybrid images, assembled from hundreds of disparate images taken around the world, feature animals in turbulent scenes of power play and dramatic poses. Johan gave an artist talk at the university's Windgate Center of Art and Design on November 15, 2019. For more information, please visit the Brad Cushman Gallery website.

Portrait photographs by Sanlé Sory were featured in Studio Africain at the Maison Européenne de la Photographie (MEP) in Paris, France, from September 11 – November 17, 2019. Studio Africain explored the practice of four West African photographers whose work established the identity of African communities in a post-colonial, independent era. Other featured artists include Seydou Keïta, Abdourahmane Sakaly, and Malick Sidibé. For more information, please visit the MEP website [French].

Matthew Brandt’s exhibition, Rocks and Eagles, was on view at the Newark Museum in Newark, NJ. In his first East-coast solo show, Brandt will present large-scale photographic works made from unusual materials, such as silver dollars, leaded glass windows and rocks deaccessioned from the Museum’s Natural Science Collection. For more information, please visit the Newark Museum website.

A photo-weaving by Kyle Meyer was featured in A History of Photography: Selections from the Museum’s Collection from March 6 - September 15, 2019 at the Museum of Fine Arts, Houston, TX. The exhibition traced the history of photography from its invention to the present day, showcasing important works from the museum’s collection with a focus on images featuring LGBTQ subjects and photographers. Other featured artists include Diane Arbus, Catherine Opie, Robert Mapplethorpe, and Duane Michals. For more information, please visit the MFA website.

Yossi Milo Gallery was pleased to participate in the 23rd edition of Paris Photo, which took place at the Grand Palais from November 7 - 10, 2019. The gallery presented the work of Matthew Brandt, Marco Breuer, Norm Clasen, Hassan Hajjaj, Chris McCaw, Kyle Meyer, Meghann Riepenhoff, Alison Rossiter, Sanlé Sory and Kohei Yoshiyuki. For more information, please visit the Paris Photo website.

Works from Kyle Meyer’s Interwoven series were on view in Intersecting Identities, at the Sheldon Museum of Art, Lincoln, NE, from August 9 - December 31, 2019. Drawn from the Sheldon collection, the works in the exhibition created a dialogue about the intersectionality of race with other facets of identity including ethnicity, gender, religion, sexual orientation, and social class. Other featured artists included Lalla Essaydi, Roger Shimomura and Yinka Shonibare. For more information, please visit the Sheldon Museum website.

Doron Langberg’s paintings were on view in Semblance: The Public/ Private/ Shared Self at the Lousiana State University Museum of Art in Baton Rouge, LA, from June 27- October 6, 2019. For more information, please visit the LSU Museum of Art website.

New York Times critic Will Heinrich described how “you could spend all day” looking at “a sensational roundup of West African portrait photography from its golden age in the pre-independence 1950s to the present.” To read the full article, please visit the New York Times website.

Hassan Hajjaj presented a live performance installation, My Rock Stars Experimental - Live, at the Ford Theaters in Los Angeles, on October 11, 2019. Six musicians performed Hajjaj’s My Rocks Stars series live on stage, in front of a backdrop of textiles designed by Hajjaj and manufactured by local Moroccan artisans. The international roster of performers included Afrikan Boy, Bumi, Simo Lagnawi the Gnawa Berber, and Marques Toliver, reflecting the combination of London hip-hop, reggae, and North African heritage that influences Hajjaj’s broader artistic practice. For more information, please visit the Ford Theaters website.

A solo exhibition by Mark Ruwedel, Westward the Course of Empire, was on view at the California Historical Society in San Francisco, CA, from March 21 – October 20, 2019. Ruwedel’s masterful photographs depicting abandoned or unfinished railroads throughout North America were exhibited to commemorate the 150th anniversary of the Transcontinental Railroad. For more information, please visit the California Historical Society website.

Paintings by Angela Dufresne were on view in Just My Type: Angela Dufresne at the Samuel Dorsky Museum of Art at the State University of New York at New Paltz, NY, from February 9 – July 14, 2019. Curated by Melissa Ragona and Anastasia James, the exhibition showcased intimate portraits of the artist’s friends, family, and community, painted from life. For more information, please visit the Dorsky Museum website.

Alison Rossiter’s camera-less photographs were on view in The Beauty of Lines: Masterpieces from the Sondra Gilman and Celso González-Falla Collection from June 20 – September 29, 2019 at the Fundación Foto Colectania in Barcelona, Spain. The traveling exhibition presented a selection of historic and contemporary masterpieces from the collection that underscore the power of the photographic line. Other featured artists included Berenice Abbott, Edward Burtynsky, Walker Evans, Graciela Iturbide, Robert Mapplethorpe and Hiroshi Sugimoto. For more information, please visit the Foto Colectania website.

Photo-weavings from Kyle Meyer’s Interwoven series, as well as new works created on-site, were featured in FILAM(A)NT, at Fondation Blachère in Apt, France, from May 23 – October 5, 2019. The exhibition presented works from the institution’s collection alongside new works created by fellow artists-in-residence, many of whom work with African textiles. Other featured artists include Marion Boehm, Abdoulaye Konate, Hassan Musa and Billie Zangewa. For more information, please visit the Fondation Blachère website.

Paintings by Angela Dufresne were featured in Paint, also known as Blood: Women, Affect and Desire in Contemporary Painting, on view from June 7 - August 11, 2019, at the Museum of Modern Art, Warsaw, Poland. Curated by Natalia Sielewicz, the exhibition brought together a women-only line up of artists whose introspective practices investigate the body, sexuality, agency, trauma and the self-determination of womanhood. Other featured artists include Dana Schutz, Tschabalala Self, Paulina Ołowska, Gosia Bartosik and more. For more information, please visit the MoMA Warsaw website.

Artforum featured African Spirits as a Critics’ Pick, with Joseph Akel examining a “sense of constructing and celebrating identity” and “sartorial flair" at the heart of many included portraits . To read the full article: Artforum.

Nevet Yitzhak’s solo exhibition, WarCraft, was on view from April 4 - May 26, 2019, at the Koffler Center of the Arts in Toronto, Canada. The exhibition featured Yitzhak’s large-scale projections of digitally-constructed Afghan rugs, where gaming audio and visual aesthetics immerse the viewer in contemporary realities of war and geopolitical conflict. For more information, please visit the Koffler Gallery website.

Photographs by Mark Ruwedel were featured in Fil Noir, on view from June 5 - August 25, 2019, at the Maison Européenne de la Photographie (MEP) in Paris, France. The exhibition drew from MEP’s extensive photography collection of nearly 23,000 prints, seeking to explore close links between the film noir cinematic genre and photography. Other featured artists include Diane Arbus, Larry Clark, Robert Frank, Nan Goldin and Helmut Newton. For more information, please visit the GalleriesNow website.

Portrait photographs by Pieter Hugo were included in Here We Are Today at Bucerius Kunst Forum in Hamburg, Germany, on view from June 7 - September 29, 2019. The exhibition presented video and photo-based artworks that engage with central issues of our globalized economy and society. Other featured artists include Zarina Bhimji, Andreas Gursky, Shirin Neshat and Trevor Paglen. For more information, please visit the Bucerius Kunst Forum website.

Works by Pieter Hugo were featured in IncarNations: African Art as Philosophy, on view at the BOZAR Center for Fine Arts in Brussels, Belgium, from June 28 - October 6, 2019. The exhibition brought together traditional and contemporary artworks from both Africa and the diaspora, reflecting the diversity of the African artistic heritage and its itinerant histories of slavery, colonialism, and independence movements. Other featured artists include Ana Mendieta, Zanele Muholi, Wangechi Mutu, Yinka Shonibare CBE and Pascale Marthine Tayou. For more information, please visit the BOZAR website.

A solo exhibition of photographic works by Meghann Riepenhoff, Nearshore, was on view at the Bolinas Museum in Bolinas, CA, from June 15 - August 11, 2019. Nearshore presenteddynamic cyanotypes created on the water’s edge, featuring visual evidence of great wild fires in the Northwest, tidal charts informed by the rhythms of the ocean in Bolinas and other unique collaborations with nature. For more information, please visit the Bolinas Museum website.

FACADES works by Markus Brunetti were on view in The Place as Metaphor: Collection Conversations at the Cornell Fine Art Museum, Winter Park, FL, from January 17 - May 12, 2019. The exhibition featured diverse works from the museum’s collection illustrating the notion of “place” in its varied literal and symbolic interpretations. Other featured artists include Salvador Dalí, Ernesto Neto, Guy Carleton Wiggins, Lynn Aldrich and Danh Vo. For more information, please visit the Cornell Museum website.

Photographs by Mark Ruwedel and Marco Breuer were on view in Unlimited: Recent Gifts from the William Goodman and Victoria Belco Photography Collection at the Berkeley Art Museum and Pacific Film Archive (BAMPFA) in Berkeley, CA, from March 27 – September 1, 2019. Other featured artists in the Goodman Belco Collection include Henri Cartier-Bresson, Helen Levitt, Christian Marclay and Christine Osinski. For more information, please visit the BAMPFA website.

Photographs from Mark Ruwedel’s series We All Loved Ruscha (15 Apts.) were on view in Mapping Space: Recent Acquisitions in Focus at the J. Paul Getty Museum in Los Angeles, CA, from February 26 - July 14, 2019. The exhibition showcased work by five international photographers who take unique, modern approaches to landscape photography: Uta Barth, Robert Kinmont, Richard Long, Wang Jinsong and Ruwedel. For more information, please visit the Getty museum website.

The Path, a solo exhibition of photographs, films, and installations by Hassan Hajjaj was on view at the New Art Exchange, Nottingham, United Kingdom from April 6 - June 23, 2019. The exhibition presented work from multiple series, highlighting Hajjaj’s engagement with Moroccan, British and globalized culture in the modern world. For more information, please visit the New Art Exchange website.

Work by Hassan Hajjaj was on view in Material Insanity at Museum of African Contemporary Art Al Maaden in Marrakech, Morocco, from February 26 – August 15, 2019. The exhibition explored the relationship between form, material, and meaning through a series of installations and artworks primarily composed of everyday objects. Other featured artists include Yasmina Alaoui, Oli Bonzanigo, Frances Goodman, and Adrian Piper. For more information, please visit the MACAAL website.

Alison Rossiter was awarded the 2018 Shpilman International Prize for Excellence in Photography. Created by the Shpilman family, the Shpilman Institute for Photography and the Israel Museum in 2010, the biennial prize was on the theme of “The Last Photograph” and determined by an international jury of five acclaimed professionals in photography. For more information, please visit the Israel Museum website.

Drawings by David Goldes were on view in Growing the Collection: Drawings and Collage, 1960 to Now, an exhibition of acquired works on paper, at the Minneapolis Institute of Art (MIA) in Minneapolis, MN, from December 22, 2018 – September 1, 2019. For more information, please visit the MIA website.

Collage by Nathalie Boutté was included in Cut Up/Cut Out at the Leigh Yawkey Woodson Art Museum in Wausau, WI, from March 2 - June 2, 2019. The traveling exhibition brought together international artists whose work provides a modern take on the art of cutting paper, bridging gaps between mediums and techniques. Other featured artists include Claire Brewster, Donna Ruff, Jen Stark and Maude White. For more information, please visit the Leigh Yawkey Woodson Art Museum website.

A painting by Doron Langberg was on view at the galleries of the American Academy of Arts and Letters on the historic Audubon Terrace in New York, NY, from March 7 - April 7, 2019. The annual invitational exhibition featured contemporary artists selected by the members of the Academy, America’s most prestigious honorary society of architects, artists, writers, and composers. For more information, please visit the American Academy of Arts and Letters’ website.

Mark Ruwedel was shortlisted for the 2019 Deutsche Börse Photography Foundation Prize for his solo exhibition at the Tate Modern, London in 2018. An exhibition of the selected finalists’ projects was on view at The Photographers' Gallery (UK) from March 8 – June 2, 2019. The other shortlisted artists are Laia Abril, Susan Meiselas and Arwed Messmer. For more information please visit the Deutsche Börse website.

Mark Ruwedel hosted a lecture at The Photographer’s Gallery in London on May 14, 2019. On the occasion of his nomination for the Deutsche Börse Photography Foundation Prize 2019, Ruwedel discussed his practice and recent exhibition at Tate Modern in 2018. For more information, please visit The Photographers' Gallery website.

Three works by Hassan Hajjaj were included in The Space of the Image – MAXXI Collection 2018-2019, at the Museo nazionale delle arti del XXI secolo (MAXXI) in Rome, Italy. This cycle of the permanent exhibition featured more than 70 new acquisitions that have enriched the museum’s holdings. Other featured artists include Alighiero Boetti, Katharina Grosse, Aldo Rossi and Bill Viola. For more information, please visit the MAXXI website.

Photographs by Chris McCaw were on view in The Sheltering Sky at The Palo Alto Art Center in Palo Alto, CA, from January 19 - April 7, 2019. The exhibition, titled after Paul Bowles iconic novel, brought together artists whose practice focuses on the dynamic sky. In conjunction with the show, McCaw hosted an artist talk on March 31 at the Lick Observatory in Mounta Hamilton, CA. Other featured artists include Sukey Bryan, Val Britton, Linda Connor and Hiroshi Sugimoto. For more information, please see Chris McCaw's website.

Yossi Milo Gallery is pleased to announce a solo exhibition of new paintings by Doron Langberg in Fall 2019. Langberg’s portraits on canvas capture moments ranging from the ordinary to the deeply personal and private, focusing on queer pleasure, intimacy and friendship. The complete announcement may be viewed here.

Markus Brunetti participated in a panel discussion at The Hood Museum in Hanover, NH, on May 3, 2019, as part of the Museum’s re-opening celebration program. The panel, moderated by Associate Curator of Academic Programming, Amelia Kahl, discussed the ways in which contemporary art practices have reshaped and pluralized the medium of photography. For more information, please visit the Hood Museum website.

Doron Langberg participated in the Art Awardee Panel Discussion lead by David Cohen on April 7, 2019, at the American Academy of Arts and Letters. Langberg discussed his art practice and elaborated on the winning artwork featured in the Academy’s exhibition. Other panelists and award winners include Judith Bernstein, Charlotte de Larminat, Inka Essenhigh, and Alain Kirili. For more information, please visit the American Academy website.

Yossi Milo Gallery is pleased to announce representation of artist Angela Dufresne along with M+B in Los Angeles. Dufresne’s signature compositions, at once grandiose and humble, imagined and believable, scenic and chaotic, connect widely disparate icons of figuration, landscape, movies and urban tableaux into potent mises en scène. The complete announcement may be viewed here.

New works by Sze Tsung Nicolás Leong and collaborator Judy Chung were included in the exhibition Cinque Mostre 2019: Δx Displacement at the American Academy in Rome from February 20 - March 31, 2019. The multimedia exhibition focused on the meaning of the term displacement. Other featured artists include Carola Bonfili, Zaneta Hong, Renato Leotta and Franceso Zorzi. For more information, please visit the American Academy in Rome website.

Photographs by Alison Rossiter and Mark Ruwedel were on view in The Extended Moment: Fifty Years of Collecting Photographs from National Gallery of Canada at the Morgan Library and Museum from February 15 – May 26, 2019. The exhibition featured over 70 photographs from the National Gallery’s collection, juxtaposing historic and contemporary imagery made using a variety of traditional and alternative photographic techniques. Other featured artists include Julia Margaret Cameron, Lynne Cohen, Gordon Parks, and Josef Sudek. For more information, please visit the Morgan Library website.

Photographs by Matthew Brandt and Alison Rossiter were on view in Look Back: 45 Years of Collecting Photography at the High Museum in Atlanta, GA, from October 14, 2018 – April 14, 2019. The inaugural exhibition in the museum’s new photography galleries also featured work by Ilse Bing, Sally Mann, Man Ray and Hiroshi Sugimoto and many others. For more information, please visit the High Museum website.

Artwork by Hassan Hajjaj was featured in Styles of Resistance: From the Corner to the Catwalk at the Museum of Contemporary African Diasporan Arts in Brooklyn, NY from January 18 – February 24, 2019. The exhibition celebrated the origins and evolution of urban fashion from the 1970s to the present day. Other featured artists include Alex Blaise, Kendall Carter and Victoria Ford. For more information, please visit the MoCADA website.

Markus Brunetti’s FACADES were included in the exhibition Un Autre Monde Dans Notre Monde (Another World in Our World) at the Fonds Régional d’Art Contemporain: Provence-Alpes-Côte d'Azur in Marseille, France from March 23 - June 2, 2019. Un Autre Monde focused on the concept of fantastic realism, bringing together contemporary artworks that reinterpret perception and reality. Other featured artists include Claire Tabouret, Jean-Michel Othoniel, Jim Shaw, Anaïs Tondeur, and Agnes Troublé, aka agnès b. For more information, please visit the FRAC’s website (French).

Pieter Hugo’s solo exhibition, Aquí se rompió una taza, was on view at Centro Fotográfico Álvarez Bravo in Oaxaca, Mexico, through February 5, 2019, as part of the Crossing Night Festival. Working primarily in Oaxaca in the Spring of 2018, Hugo’s photographs draw inspiration from the mural work of David Alfaro Siqueiros and Mexican folklore.

Yossi Milo Gallery was pleased to participate in the 2019 Marrakech edition of 1-54 Contemporary African Art Fair, taking place at La Mamounia, Marrakech, Morocco, from February 23-24, 2019. In a booth designed by Hassan Hajjaj, the gallery presented the work of Nathalie Boutté, Hassan Hajjaj, Kyle Meyer, J.D. 'Okhai Ojeikere, and Sanlé Sory. For more information, please visit the 1-54 website.

Making a Scene, a solo exhibition of painting and video by Angela Dufresne, was on view at the Kemper Museum of Contemporary Art in Kansas City, MO, from September 20, 2018 - January 6, 2019. For more information, please visit the Kemper Museum of Art website.

Pieter Hugo’s work was on view in Recent Histories / Contemporary African Photography and Video Art from The Walther Collection at Huis Marseille in Amsterdam, The Netherlands, from December 8, 2018 – March 3, 2019. The exhibition includes the work of African artists who respond to the concept of “African” from their distinct, personal perspectives. Other featured artists include Mimi Cherono Ng’ok, Délio Jasse, Lebohang Kganye, Sabelo Mlangeni and Zanele Muholi. For more information, please visit the Huis Marseille website.

Three large-scale light boxes from Matthew Brandt’s Stepping Stone Falls series were on view in Back to the Future: The 19th Century in the 21st Century, at Mai Manó House, Budapest, Hungary, from February 1 - March 17, 2019. The exhibition juxtaposes experimental photographic works by contemporary artists with those by the medium’s 19th-century pioneers, demonstrating commonalities that link artistic production across centuries. Back to the Future was previously on view at C/O Berlin and Fotografiemuseum Amsterdam in 2018. For more exhibition information, please visit the C/O Berlin website.

The New Yorker contributor Nicolas Niarchos traveled to Burkina Faso to meet Sanlé Sory after seeing the artist's first exhibition at Yossi Milo Gallery in Spring 2018. To read the full story, please visit the The New Yorker website.

A solo exhibition of works by Ezra Stoller was on view at The Lumiere Brothers Center for Photography in Moscow, Russia, from September 20, 2018 - February 4, 2019. Pioneers of American Modernism: Ezra Stoller included photographs of public and private architecture and range from his early career in the late 1930s through the 1970s.

Yossi Milo Gallery participated in the 2019 edition of The Armory Show, which took place at Piers 92 & 94 from March 7-10, 2019. The gallery presented the work of Nathalie Boutté, Matthew Brandt, Angela Dufresne, Hassan Hajjaj, Pieter Hugo, Simen Johan, Doron Langberg, Chris McCaw, Kyle Meyer, and Meghann Riepenhoff. For more information, please visit the Armory Show website.

Matthew Brandt hosted a one-day photogram workshop on March 9, 2019, at the Newark Museum, NJ. Participants toured Brandt’s solo exhibition, Rocks and Eagles, and create unique photograms with the artist. For more information, please visit the Newark Museum's website.

Photographs from Pieter Hugo’s 1994 and Permanent Error series were on view in Evoking Reality at Daimler Contemporary in Berlin, Germany, from November 24, 2018 – May 5, 2019. The exhibition bought together politically-focused photographs and video from the Daimler Art Collection that forego popular means of representation to construct an ambiguous, critical visualization of global reality. Other featured artists include Jane Alexander, Richard Mosse, Viviane Sassen, Guy Tillim and Maya Zack. For more information, please visit the Daimler Art Collection website.

Works by Tim Hetherington were on view in War and Peace in Liberia at the Bronx Documentary Center in Bronx, NY, from October 26 – December 16, 2018. The exhibition featured pivotal photographs taken by Hetherington and fellow photojournalist Chris Hondros during the Liberian Civil Wars. For more information, please visit the Bronx Documentary Center website.

The work of Matthew Brandt, Chris McCaw, Meghann Riepenhoff and Mark Ruwedel was on display in Ansel Adams in Our Time at the Museum of Fine Arts, Boston, from December 13, 2018 – February 24, 2019. The exhibition featured Adams’ photographs juxtaposed with those by 19th century photographers who inspired him and works by contemporary photographers influenced by his legacy. Other featured artists include Timothy O’Sullivan, Carleton Watkins, Binh Danh, Catherine Opie and Mark Klett. For more information, please visit the Museum of Fine Arts website.

Mark Ruwedel’s series Ouarzazate was on view at Musée d'Art et de Culture in Marrakech, Morrocco, from November 3 – December 31, 2018. The exhibition featured photographs taken during an artist residency in 2014 and 2016 in the historic desert town and popular filmmaking location of Ouarzazate, Morocco. For more information, please visit the Musée MACMA website.

A solo exhibition of photographs and handmade artist books by Mark Ruwedel was on view at Tate Modern in Bankside, London, United Kingdom, through December 16, 2018. Featuring prints and objects from multiple series, the exhibition highlighted Ruwedel’s distinctive contribution to traditional and contemporary landscape photography, and his systematic, conceptual approach to image making. For more information, please visit the Tate Modern website.

Woven photographs by Kyle Meyer were featured in Shifting Gaze: A Reconstruction of The Black & Hispanic Body in Contemporary Art, on view at the Mennello Museum in Orlando, Florida, from October 29, 2018 – January 13, 2019. Selected from the collection of Dr. Robert B. Feldman, the exhibition included work by artists engaging with poignant issues of race, sexuality and violence within the discourse of the African and Hispanic Diaspora. Other featured artists include Clotilde Jiménez, Ebony G. Patterson and Lamar Peterson. For more information, please visit the Mennello Museum website.

Unique works by Meghann Riepenhoff and Alison Rossiter were on view in Anna Atkins Refracted: Contemporary Works at the New York Public Library in New York City, from September 28, 2018 – January 6, 2019. Taking place in the Stephen A. Schwarzman Building, the exhibition featured contemporary works that reflect Atkins’ innovative approach to image-making. Other featured artists include Katherine Hubbard, Owen Kydd, Penelope Umbrico and Ellen Zeigler. A companion exhibition of original works by Atkins was also on view from October 19 – 2016 through January 16, 2019. For more information, please visit the New York Public Library website.

Work by Pieter Hugo was on view at the Central Academy of Fine Arts in Beijing, China as part of the 3rd Beijing Photo Biennial/1st Beizhen International Photography Festival from September 28 – November 28, 2018. Confusing Public and Private, the brand exhibition at CAFA Art Museum, presented a thematically and geographically diverse gathering of works exploring the influence of photography on constructions of history, social reality and the self. Other featured artists included Adam Broomberg & Oliver Chanarin, Gayatri Ganju, Zanele Muholi, Viviane Sassen and Shen Wei, and others. For more information, please visit the CAFA Museum website.

Yossi Milo Gallery, in collaboration with Radius Books, released Meghann Riepenhoff’s debut monograph in Fall 2018. Littoral Drift + Ecotone offers a comprehensive look at Riepenhoff’s dynamic cyanotypes, made in collaboration with elements such as rain, ocean waves, sediment and icicles. For more information, please visit the gallery’s Publications page.

Ian Bourland's review of John Chiara's Fall 2018 solo exhibition, Pike Slip to Sugar Hill, can be viewed in Artforum's Critics' Picks section here.

On December 19, 2018, Alison Rossiter hosted a mid-day walkthrough of Atkins Refracted: Contemporary Works, on view at the New York Public Library through January 6, 2019. Part of the Meet the Artist series presented in conjunction with the exhibition, Rossiter spoke about her unique photographic work on view. For more information, please visit the NYPL website.

Mark Ruwedel’s publication, Ouarzazate, was released by MACK, London, in October 2018. The monograph features Ruwedel’s photographs taken during an artist residency in 2014 and 2016 in the historic desert town and popular filmmaking location of Ouarzazate, Morocco. Typically working in the deserts of the American West, Ruwedel continues his exploration of contemporary ruins on the other side of the globe. For more information, please visit the MACK website.

Luc Sante's full essay and a portfolio of new work by John Chiara can be viewed on The New York Times Magazine website.

Photographs by Sanlé Sory were featured in Collective Recollection, on view at the Rhode Island School of Design Museum in Providence, RI, from July 26, 2018 – January 19, 2019. This exhibition included nearly 60 artworks that challenge viewers to question who has the ability to represent identity within photographs throughout history. Other featured artists includes Susan Meiselas, Gordon Parks, and Aaron Siskind. For more information, please visit the Museum’s website.

Pieter Hugo's photographs were on view in Civilization: The Way We Live Now, presented by the National Museum for Modern and Contemporary Art (NMMCA) and Foundation for the Exhibition of Photography (FEP) in Seoul, Korea, from October 17, 2018 – February 17, 2019. The exhibition features works by over 100 artists, including Katy Grannan, Lauren Greenfield, An-My Lê and Thomas Struth, and will travel to Beijing, Melbourne, and Marseille following its run at the NMMCA. For more information, please visit the NMMCA website.

Works by Chris McCaw were featured in 10,000 Fahrenheit at the San Francisco Arts Commission in San Francisco, CA, from September 14 - December 8, 2018. Building on the idea that the sun’s surface is inherently intangible, 10,000 Fahrenheit featured works by artists that use the sun, light, or heat to explore other intangible subjects such as memory and the passage of time. In conjunction with the exhibition, McCaw joined artist William Lamson and curator Meg Schiff in conversation on October 26, 2018. For more information, please visit the Arts Commission’s website.

Work by Alison Rossiter were featured in Shape of Light: 100 Years of Photography and Abstract Art, on view at Tate Modern from May 2 – October 14, 2018. Presenting works by 20th and 21st century artists, the exhibition examines the symbiotic role of photography in the development of abstract art. Other featured artists include Carl Andre, Georges Braque, Barbara Kasten, László Moholy-Nagy, Sigmar Polke, Bridget Riley and Thomas Ruff. For more information, please visit the Tate Modern website.

Meghann Riepenhoff was named a 2018 Guggenheim Fellow. Riepenhoff’s work questions the nature of our relationships to the landscape, images, time, and impermanence. For more information, please visit the Guggenheim Foundation website.

Matthew Brandt’s Bridges Over Flint, 2016, was featured in Out of the Crate: New Gifts & Purchases at the Detroit Institute of Arts through September 23, 2018. Brandt’s suite of 24 of gelatin silver photographs processed with tap water from Flint, Michigan comments on environmental and political concerns in the city of Flint. The artist also spoke at DIA on October 25, 2018, following the exhibition. For more information, please visit the Detroit Institute of Arts website.

Works from Sze Tsung Nicolás Leong’s Horizons and Cities series were on view in Life and Dreams: Contemporary Chinese Photography and Media Art at The Walther Collection in Neu Ulm, Germany, from May 13, 2018 – November 30, 2019. Life and Dreams, curated by the International Center of Photography’s Christopher Phillips, presented works from the collection that demonstrate the prominence of photography and media in contemporary Chinese art. Other featured artists include Song Dong, Cao Fei, Yang Fudong, Zhang Huan, Zhang Peili and Ai Weiwei. For more information, please visit the Walther Collection website.

Works from two of Mark Ruwedel’s series; Crossings and Fort Irwin, were on view in a solo exhibition Mark Ruwedel: Recent Selected Photographs at CSA Space in Vancouver, BC, from September 1st – October 7th, 2018. Ruwedel’s photographs depict signs of surveillance, migration, and conflict in the deserts of the United States. For more information, please visit the CSA Space website.

Works by Matthew Brandt, Marco Breuer, John Chiara, Chris McCaw, Meghann Riepenhoff, Alison Rossiter and Mark Ruwedel were included in New Territory: Landscape Photography Today, on view at Denver Art Museum from June 24 – September 16, 2018. Challenging Terrain gathers photographic works by international artists that demonstrate unconventional and innovative new approaches to representing the landscape in photography. In advance of this exhibition, Alison Rossiter spoke at the Museum on November 17, 2017. Other featured artists include Gary Emrich, David Maisel, Abelardo Morell and Penelope Umbrico. For more information, please visit the Denver Art Museum website.

A solo exhibition of works by Simen Johan was on view at Fotografiska in Stockholm, Sweden, from June 15 – September 23, 2018. Until the Kingdom Comes featured large-scale works made using Johan’s distinctive process of seamlessly integrating photos of diverse animals and environments. For more information, please visit the Fotografiska website.

A solo exhibition of work by Pieter Hugo, Between the Devil and the Deep Blue Sea, was on view at Museu Coleção Berardo in Lisbon, Portugal, from July 4 – October 7, 2018. The exhibition, comprised of works from multiple series, including KIN, The Hyena and Other Men, Permanent Error and 1994, was previously on view at the Museum für Kunst und Kulturgeschichte (MKK) in Dortmund and the Kunstmuseum in Wolfsburg, Germany. For more information, please visit the Museu Coleção Berardo website

New York Times writer Martha Schwendener reviewed ‘Volta Photo’, describing how “gathered together in this impressive show”, Sanlé Sory’s portraits represent “the optimism and energy of youth, but also a new, hopeful nation.” To read the full article, please visit the The New York Times website.

Photographs by Ezra Stoller were on view at the Frist Art Museum in Nashville, TN from July 20 – October 28, 2018. Image Building: How Photography Transforms Architecture explores the ways in which American and European architectural photography have transformed our vision and concept of architecture from the 1920’s to the present. The group exhibition included works by photographers such as Berenice Abbott, Lewis Baltz, Andreas Gursky, Thomas Ruff, Julius Shulman and Hiroshi Sugimoto, among others. This exhibition was organized by Therese Lichtenstein for the Parrish Art Museum in Water Mill, NY, where it was previously on view. For more information, please visit the Frist Art Museum website.

Cyanotypes by Meghann Riepenhoff were on view in Printstallations at the San Jose Institute for Contemporary Art in San Jose, CA, from February 24 - June 10, 2018. The exhibition presented the work of artists who experiment in the print medium and create artworks that materialize in large-scale installations. Other featured artists include Kyoko Fischer, Pantea Karimi and Sarah Sanford. For more information, please visit the San Jose ICA website

In celebration of Sanlé Sory’s debut gallery exhibition, Yossi Milo Gallery and Tezeta are proud to announce the publication of Volta Photo, a limited edition catalog of Sory’s iconic studio portraiture dating from the 1960s – 80s. Featuring never before seen images curated from the photographer’s archive of vintage negatives, Volta Photo is produced in a limited run of 500 copies. A special edition of 100 within the overall set includes a signed and numbered gelatin silver print. For more information, please visit the Publications page.

Work by Pieter Hugo was on view in the exhibition In This Imperfect Present Moment at the Seattle Art Museum, in Seattle, Washington, from July 21, 2018 – June 16, 2019. The exhibition featured 15 artists whose work has received global recognition for approaching topics of religion, political power and portraiture in original ways. Other featured artists include Igshann Adams, Toyin Ojih Odutola, Amy Sherald and Mikhael Subotzky. For more information, please visit the Seattle Art Museum website.

Photographs from Doug Rickard’s series A New American Picture were on view in [Space] Street. Life. Photography. Seven Decades of Street Photography at the Deichtorhallen Hamburg, Germany, from June 8 – October 21, 2018. The exhibition presented the work of 52 photographers who are revisiting and redefining the practice of street photography as a departure from Cartier-Bresson’s “decisive moment”. Other featured photographers include Diane Arbus, Robert Frank, Mohamed Bourouissa and Ahn Jun.

Meghann Riepenhoff discussed the process involved in creating her cyanotypes at Cornell University in Ithaca, NY, on October 18, 2018. The talk was held in conjunction with the exhibition Object Lessons: Photography at Cornell, 1869-2018, on view at the Johnson Museum of Art from September 6 – December 23, 2018.

Photographs by Mark Ruwedel were on view in The Extended Moment: Fifty Years of Collecting Photographs at the National Gallery of Canada in Ottawa, Ontario, from May 4 – September 16, 2018. The exhibition featured over 175 photographs from the Gallery’s collection, juxtaposing historic and contemporary imagery made using a variety of photographic techniques. Other featured artists include Julia Margaret Cameron, Lynne Cohen and Zhang Huan. For more information, please visit the National Gallery of Canada website.

Photographs by Andrew Bush and Pieter Hugo were included in Shop It!, an exhibition at the Haifa Museum of Art in Israel, on view from July 22, 2018 – January 20, 2019. Featuring artists whose work attempts to critique and reject contemporary trends of capitalism and commodification in an era of viral dissemination via the internet, the show also included photographs by Ron Amir, Ilona Balaga, Wolfgang Tillmans, Addie Wagenknecht and others. For more information, please visit the Haifa Museum of Art website.

Photographs from Sze Tsung Nicolás Leong’s History Images series were on view in Extreme: Territories at the Deutsche Börse Photography Foundation, Eschborn, Germany, from May 25 – September 28, 2018. The exhibition featured the work of five photographers who document international regions of tumultuous social and economic change, capturing the areas’ dramatic shifts of residents and architecture. Other featured artists include Christoph Bangert, the team of Anne Heinlein, Göran Gnaudschun, Gregor Sailer and Guy Tillim. For more information, please visit the 2018 Ray Fotografieprojekte website.

In a preview of the artist's first United States exhibition, Chris Bonanos reviewed Sanlé Sory in New York Magazine. To read the full article, please visit the New York Magazine website.

Meghann Riepenhoff lead a special workshop at the Penumbra Foundation in New York City on October 21, 2018. Riepenhoff discussed her unique cyanotypes, bookmaking practice, and new monograph Littoral Drift + Ecotone. Participants learned to make their own cyanotypes and explore other alternative photographic techniques. For more information, please visit the Penumbra Foundation website.

Photographs by Sze Tsung Nicolás Leong were on view in s.m.a.r.t Paths Towards Sustainability at the Real Jardín Botánico in Madrid, Spain, from June 7 – August 26, 2018. Organized for the 20th edition of PHotoESPAÑA, the exhibition presented the work of 8 international photographers who are investigating human impact on the environment. Other featured artists include Thierry Cohen, María Primo, and Naoya Hatakeyama.

Alison Rossiter was awarded a 2018 PDN Photobook Award for her first monograph, Expired Paper, co-published by Yossi Milo Gallery and Radius Books. The comprehensive book features stunning reproductions of Rossiter's expiremental works made using expired photographic papers. For more information about the award, please visit the PDN Photo Annual Website. More information about Rossiter's book, Expired Paper, can be found on our Publications page.

Ambrotypes by Ben Cauchi were displayed in Strangers, at the Dunedin Public Art Gallery on view from May 11 – August 19, 2018, at the Dunedin Public Art Gallery in Dunedin, New Zealand. Curated by James Hope, the exhibition of photographs explored the realm of the ‘uncanny’ and unfamiliar through figurate subjects that create a sense of unease. Strangers featured works by Wayne Barrar, Christine Webster and several other New Zealand-based artists. For more information, please visit the Dunedin Gallery website.

A comprehensive, multi-sensory solo exhibition featuring over 100 photographs by Sanlé Sory was on view at Art Institute Chicago from April 27 through August 19, 2018. In addition to photographs, Volta Photo: Starring Sanlé Sory and the People of Bobo-Dioulasso in the Small but Musically Mighty Country of Burkina Faso included props and backdrops from the artist’s Bobo-Dioulasso studio, and the music of his West African collaborators. A catalog of the exhibition will be published by Steidl and will include a compilation album. For more information, please visit the Art Institute website.

John Chiara lead a two-day photography workshop, Experimenting with Photography, at Aperture Foundation in New York City, September 8-9, 2018. Chiara, known for making large-scale photographs taken with hand constructed cameras, guided participants on making their own unique images using a variety of equipment and techniques. For more information, please visit the Aperture Foundation website.

Roberta Smith of The New York Times reviewed 'Markus Brunetti: FACADES - Grand Tour', describing how Brunetti's photographic collages “convey how the cathedrals once sat [...] above their towns like large, protective beasts.” For Smith’s full review, please visit the New York Times website.

Yossi Milo Gallery was pleased to participate in the London edition of 1-54 Contemporary African Art Fair, taking place at Somerset House on the Strand, from October 4 - 7. The gallery presented the work of Kyle Meyer, Pieter Hugo, and Sanlé Sory. For more information, please visit the 1-54 website.

Meghann Riepenhoff gave a lecture at the High Museum of Art in Atlanta, GA, on September 27, 2018 as part of the Atlanta Celebrates Photography Festival. The artist discussed the evolution of her unique process creating large-scale cyanotypes in nature. For more information, please visit the Museum’s website.

To view the full feature and a portfolio of new work, please visit the Libération website.

Work from Pieter Hugo’s Permanent Error was on view in Labor and Materials at 21c Museum Hotel in Bentonville, Arkansas, from January – November 2018. This exhibition featured works by artists capturing the dramatic economic and social changes caused by global advances in technology and infrastructure, including Katrin Korfmann, Serge Alain Nitegeka and Marina Zurkow. For more information, please visit the 21c Museum Hotel website.

Sze Tsung Nicolás Leong was awarded a 2018 fellowship from The American Academy in Rome. The academy awards the Rome Prize to a select group of artists and scholars to support innovative and cross-disciplinary work in the arts and humanities. For more information please visit the American Academy in Rome website.

Yossi Milo Gallery participated in the NY Art Book Fair at MoMA PS1, in Long Island City, NY, from September 21-23, 2018. The gallery premiered Meghann Riepenhoff’s first monograph, Littoral Drift + Ecotone, co-published by Yossi Milo Gallery and Radius Books, in addition to featuring Sanlé Sory’s limited edition book of portraits taken in Burkina Faso through the 1960s-1980s, Studio Volta Photo. Alison Rossiter’s award-winning catalog, Expired Paper, will be available and on display with a selection of rare, out-of-print publications. For more information, please visit the NYABF website.

Photographs from Pieter Hugo’s series The Hyena and Other Men were included in Another Kind of Life: Photography on the Margins at the Barbican Centre in London, UK, from February 28 – May 27, 2018. The works in the exhibition focus on disenfranchised communities and the identities of those living on the outskirts of society. Other featured artists include Paz Erraruiz, Mary Elllen Mark and Dayanita Singh. For more information, please visit the Barbican website.

Multi-media works by Matthew Brandt are on view in Pop Stars! Popular Culture and Contemporary Art at 21c Museum Hotel in Oklahoma City from April 2018 - February 2019. The exhibition featured a broad spectrum of artists investigating celebrity, commerce, and the media to suggest an evolving definition of ‘Pop.’ Other featured artists include Nick Cave, Hassan Hajjaj and Mickalene Thomas. For more information, please visit the 21c website.

Alison Rossiter’s camera-less photographs were on view in The Beauty of Lines: Masterpieces from the Sondra Gilman and Celso Gonzalez-Falla Collection from January 31 – May 6, 2018 at the Musée de l’Elysée in Lausanne, Switzerland. The exhibition presented a selection of historic and contemporary masterpieces from the collection that underscore the power of the photographic line. Other featured artists include Berenice Abbott, Edward Burtynsky, Walker Evans, Robert Mapplethorpe and Hiroshi Sugimoto. For more information, please visit the Musée de l’Elysée website.

Book works by Doug Rickard and Mark Ruwedel were on view in American Surfaces and the Photobook, at the Museum of Modern Art in New York City through May 28, 2018. The exhibition, presented in conjunction with the exhibition Stephen Shore and comprised of objects from the MoMA collection, saluted the evolution of the photobook medium. Other featured artists include Robert Frank, Lee Friedlander, Sally Mann, Richard Misrach and Ed Ruscha. For more information, please visit the MoMA website.

Andrea K. Scott of The New Yorker reviewed 'Markus Brunetti: FACADES - Grand Tour', urging visitors to "consider the countless anonymous stonemasons, wood-carvers, ironworkers, tile setters, gilders, sculptors, and stained-glass makers whose painstaking work he memorializes." To read Scott's full article, please visit the New Yorker website.

A solo exhibition of works by Simen Johan was on view at the Center for Photography in Yekaterinburg, through February 2018, marking the artist’s first solo exhibition in Russia. The Center has currently installed multiple exhibitions around the theme of wildlife photography, with works by Johan spanning multiple galleries. For more information, please visit the Center for Photography website.

Unique photographs by Ben Cauchi and Alison Rossiter were on view in Runes: Photography and Decipherment from February 2 – March 11, 2018. Curated by Justine Varga and Geoffrey Batchen, the exhibition included historical and contemporary photography ranging from vernacular to abstract. Other featured artist include Danica Chappell, Anne Ferran, William Henry Fox Talbot and Man Ray. For more information, please visit the CCP website.

A work from Matthew Brandt’s LCD series was on view in “A Fire That No Water Could Put Out”: Civil Rights Photography at the High Museum of Art in Atlanta, GA, from September 18, 2017 – April 29, 2018. The work, which recreates an image from the 2014 unrest in Ferguson, MO, is highlighted among many historical and contemporary Civil Rights photographs from the High collection. Other featured artists include David Alekhuogie, Doris Derby, James E. Hinton, Charles Moore and Steve Schapiro. For more information, please visit the High Museum of Art website.

Pieter Hugo gave an artist talk at MAST, Bologna, in Italy, on November 29, 2017. The lecture, entitled Staged Realities, was part of a series of talks related to the exhibition Lavoro in movimento at the MAST Foundation. For more information, please visit the website.

Photographs by John Chiara will be on view in New Southern Photography at the Ogden Museum of Southern Art in New Orleans, LA, from October 6, 2018 – March 10, 2019. The exhibition brings together 25 contemporary artists that representing the diversity of photographic output occurring in the American South. Other featured artists include Maury Gortemiller, Nancy Newberry, Whitten Sabbatini and Ramell Ross. For more information, please visit the Odgen Museum website.

From December 2017 through April 15, 2018, Tree photographs by Myoung Ho Lee were displayed as part of the inaugural National Gallery of Victoria Triennial. The triennial brings together artists working in disciplines including photography, design, and architecture. Other featured artists include Olaf Breuning, Nick Cave, Yayoi Kusama, Ron Mueck and Paulina Ołowska. For more information, please visit the National Gallery of Victoria website.

John Chiara’s first book, John Chiara: California, was launched by Aperture on November 20, 2017, with an artist talk and book signing. The monograph includes landscape and architectural photographs taken in the artist’s hometown of San Francisco and other locations along the Pacific Coast, with an essay by J. Paul Getty Museum curator Virginia Heckert. For more information, please visit the Aperture website.

Photographs from Jacob Aue Sobol’s most recent body of work, and corresponding catalog, Road of Bones, were on view at Leica Gallery, Milano, from November 14, 2017 – January 13, 2018. The series consists of poignant images captured in desolate locations throughout the artist’s travels along Siberia’s notorious Kolyma Highway. The series was first exhibited at Photo London from May 17-21, 2017 and then traveled to Museum Botanique, Brussels, 2018 and Leica Gallery, Bologna, April 5 – May 28, 2018, following the exhibition in Milan.

Work by Pieter Hugo was featured in the group exhibition Dangerous Art, on view at the Haifa Museum of Art, in Israel, from November 11, 2017 – April 14, 2018. Comprised of multiple solo and group exhibitions, Dangerous Art revolves around international economic, social and cultural issues, and the manifestation of these issues in contemporary art. Other featured artists include Elodie Abergel, Bilha Aharoni, Barbara Kruger, Tracey Moffatt, Abel Pann, Miron Sima and Jakob Steinhardt. For more information, please visit the Haifa Museum of Art website.

A new monograph by Sze Tsung Nicolás Leong, Paris, Novembre, was published in Summer 2018 by Steidl. The artist, who was in Paris on November 13, 2015, documented the streets of the city in the wake of the coordinated terrorist attacks that evening. Containing 20 powerful photographs, Paris, Novembre, is an unfamiliar portrait of the city following the traumatic event. For more information, please visit the Steidl website.

Radius Books, in collaboration with Yossi Milo Gallery, released a limited edition book of expired paper prints by Alison Rossiter on September 26, 2017. The artist’s first monograph, Expired Paper offers a comprehensive look at Rossiter’s cameraless works made with expired gelatin silver papers, with text by Leah Ollman and a separate booklet cataloguing early 20th-century photographic paper packages collected by the artist over the past 10 years. The book has been shortlisted for "2017 PhotoBook of the Year" by the PhotoBook Awards, presented by the Aperture Foundation and Paris Photo. For more information, please visit the Artbook website.

David Goldes’ monograph, Electricities, published by Damiani, is now available. The new book features Goldes’ photographic still lifes based on 19th century electrical experimentation, with an essay by David Campany. Signed copies of the book are currently available at the gallery, following a book signing on December 14, 2017. A limited edition of 25 copies featuring a signed, original silver gelatin print are also available from the publisher. For more information, please visit the Artbook website.

Yossi Milo Gallery participated in the New York edition of 1-54 Contemporary African Art Fair, taking place at Pioneer Works in Brooklyn, NY, from May 4 - 6, 2018. The Gallery presented the work of Nathalie Boutté, Pieter Hugo, Kyle Meyer and Sanlé Sory. For more information, please visit the 1-54 website.

The Penumbra Foundation hosted a lecture by Alison Rossiter on February 20, 2018, at 7pm as part of its Spring 2018 Artist Series. Curated by Programs Coordinator Leandro Villaro, the Penumbra Artist Series offers a dynamic environment for featured artists and scholars to present their recent work to the public as they discuss their evolving practices and guiding philosophies. For more information, please visit the Penumbra Foundation website.

John Chiara spoke at Medium Festival of Photography in San Diego, CA, on October 28, 2017. Chiara gave an overview of his recent work and described the intensive process of creating his unique photographs.

Photographs from Kohei Yoshiyuki’s iconic series The Park were on view at the Museu de Arte de São Paulo (MASP) from October 19, 2017 through February 14, 2018. Histórias da sexualidade (Histories of Sexuality) featured diverse representations of the topic through different periods, territories and media. Exploring themes of fertility, religion, voyeurism, gender, feminism and the economy of sex, the exhibition included some 250 works from artists such as Edgar Degas, Pablo Picasso, and Louise Bourgeois, among others. For more information, please visit the MASP website.

The North Carolina Museum of Art, in Raliegh, NC, hosted a keynote lecture by Matthew Brandt on October 18, 2017, as part of the Click! Photography Festival. Matthew’s talk addressed his use of historic and experimental processes to create his work, including the Lakes and Reservoirs, Honeybees, Taste Tests, Trees, Night Skies, La Brea, and Wai ‘anae series. For more event information, please visit the North Carolina Museum of Art website.

The Penumbra Foundation hosted a guest lecture by Matthew Brandt on October 10, 2017, at 7pm as part of its Fall 2017 Artist Series. Curated by Programs Coordinator Leandro Villaro, the Penumbra Artist Series offers a dynamic environment for featured artists to present their recent work to the public as they discuss their evolving studio practices and guiding philosophies. For more information, please visit the Penumbra Foundation website.

Works from Sze Tsung Nicolás Leong’s Cities series were on view at the Aldrich Contemporary Art Museum from October 1, 2017 to April 22, 2018. Curated by Lillian Lambrechts from the Bank of America Collection, Shared Space: A New Era presents photographs and video from 1987 through the present, exploring new phases of globalization coinciding with the growing impact of technology over the past 30 years. For more information, please visit the Aldrich Contemporary Art Museum website.

Mark Ruwedel’s latest monograph, Dog Houses, was published in October 2017 by August Editions, New York. Photographed over a 10-year period, the new book features a wide variety of canine shelters documented by the artist in Southern California and surrounding states. For more information, please visit the RAM Publications’ website.

Nevet Yitzhak’s video installation, WarCraft, was on view at the National Taiwan Museum of Fine Art’s sixth Asian Art Biennial, Negotiating the Future, from September 30, 2017 – February 25, 2018. Curated by Kenji Kubota (Japan), Ade Darmawan (Indonesia), Wassan Al-Khudhairi (Iraq) and Hsiao-Yu Lin (Taiwan), works in the biennial explore address conflict and tension, as well as new visions for the future. For more informationFor more information, please visit the website of Universes in Universe.

Photographs from David Goldes’ series Electro-graph, Snake in the Garden and Electricity were on view in Electricities at Spazio Damiani in Bologna, Italy from September 29, 2017 – January 26, 2018. The exhibition consisted of sixteen images of electric energy in transmission through various materials and objects; highlighting its properties and the lyricism of some of its applications. Goldes monograph, Electricities, was published in conjunction with the exhibition.

Photographs by Alessandra Sanguinetti were included in Framing Community: Magnum Photos, 1947-Present, taking place at The Bertha and Karl Leubsdorf Gallery at Hunter College from September 28 - November 26, 2017. Curated by Professor Maria Antonella Pelizzari, along with MFA Candidates in the Hunter College Curatorial Studies Program, the group exhibition celebrated Magnum Photos’ 70 years of commitment to community and humanist values. Additional artists included Henri Cartier-Bresson, Peter van Agtmael, Alec Soth, Gilles Peress, among many other photographers. For more information, please visit the Magnum Photos website.

Photographs from Doug Rickard’s A New American Picture series were included in The Photographic I: The Pull of the World, on view at the Museum of Contemporary Art (S.M.A.K.) in Ghent, Belgium from September 23, 2017 through January 7, 2018. A survey of the photographic medium, the exhibition examined the current status of the documentary image, including photographs by Lewis Baltz, Tina Barney, Mohammed Bourouissa, Roni Horn, Malick Sidibé and Wolfgang Tillmans.

John Chiara was the keynote speaker at the Filter Photo Festival at Columbia College in Chicago, IL on September 22, 2017. The Festival, an annual multiday celebration of contemporary photography, included workshops, lectures, exhibition receptions, and portfolio reviews. For more information, please visit the Filter Photo Festival website.

Yossi Milo Gallery participated in the NY Art Book Fair at MoMA PS1 from September 21-24, 2017. The gallery launched Alison Rossiter’s monograph, Expired Paper, co-published by Radius Books and Yossi Milo Gallery. Books by other gallery artists included signed copies of monographs by Matthew Brandt, Markus Brunetti, Pieter Hugo, Simen Johan, Sze Tsung Nicolás Leong, Chris McCaw, Jacob Aue Sobol, Alessandra Sanguinetti and Takashi Yasumura; and a selection of rare, out-of-print publications. For more information, please visit the NYABF website.

Photographs from Alessandra Sanguinetti’s series, On the Sixth Day, were included in the exhibition Photography in Argentina, 1850–2010: Contradiction and Continuity at the J. Paul Getty Museum in Los Angeles, CA, from September 16, 2017 – January 28, 2018. As part of Pacific Standard Time’s statewide exhibition series, LA/LA, and featuring more than sixty artists, the exhibition examined the role photography has played in building Argentina’s complex aesthetic and cultural histories over the past 150 years. For more information, please visit the Pacific Standard Time website.

A solo exhibition of cyanotypes by Meghann Riepenhoff were on view at the University of Maine Museum of Art in Bangor from September 15 – December 22, 2017. Littoral Drift Nearshore: Meghann Riepenhoff featured a selection of works created in 2017, including a multi-print installation measuring more than 6 x 10 feet. For more information, please visit the Museum’s website.

Tree works by Myoung Ho Lee were featured in Visions of Nature, on view from September 13, 2017 – February 18, 2018 at Kunst Haus Wien in Germany. Visions of Nature contains photography and video artworks that examine the relationship between humans and the natural world. Other featured artists include Jennifer Colten, Michael Goldgruber, Andreas Gursky, Roni Horn, Michael Höpfner, Claudia Märzendorfer, Ola Lanko, Simone Nieweg, Donna Ong and Anna Reivilä. For more information, please visit the Kunst Haus Wien website.

Works by Pieter Hugo and Tim Hetherington were featured in Tell It Like It Is – or Could Be at the Mead Art Museum of Amherst College in Massachusetts, on view from September 12 – December 31, 2017. Curated by David E. Little, the exhibition presented a new genre of large-scale color photography depicting history and contemporary experience from unconventional perspectives. Also included in the show are photographs by Stan Douglas, Zackary Drucker, Boris Mikhailov, Mimi Cherono Ng’ok, Tim Parchikov and Cindy Sherman. For more information, please visit the Mead Museum of Art website.

From September 6 - 20, 2017, The Museum of Contemporary Art, Zagreb presented a solo exhibition of work by Pieter Hugo as part of the annual Organ Vida International Photography Festival in Zagreb, Croatia. Verisimilar Worlds, The West African Works, 2005-2010 featured three of the artist’s most celebrated series, Nollywood, Permanent Error and The Hyena and Other Men, all of which depict life on the periphery of West African societies. Prior to the opening reception, Pieter participated in a public talk with Sean O’Hagan, a photography critic for the Guardian and Observer. For more information and the full schedule of events, please visit the Organ Vida Festival website.

A solo exhibition of work by Myoung Ho Lee was on view at the Savina Museum of Contemporary Art in Seoul, Korea from August 31 – September 29, 2017. Camera Obscura, Camera Lucida and The Between or The Beyond includes work from the artist’s Tree series. For more information, please visit the Savina Museum website.

Work by Marco Breuer was presented in Abstract Photography from the Permanent Collection at The Frances Lehman Loeb Art Center at Vassar College, in Poughkeepsie, NY, through October 2017. The exhibition presented works by seven artists whose abstractions serve as physical records of the artists’ actions rather than capturing decisive moments in time. Other featured artists include Ellen Carey, Tim Davis, Ralph Gibson, Arthur Siegel, Aaron Siskind, and James Welling. For more information, please visit the center’s website.

Meghann Riepenhoff’s Littoral Drift Continuum #10 was featured in re:collection at the Museum of Contemporary Photography in Chicago from July 13 - October 1, 2017. Drawn from the MoCP’s archive and recent acquisitions, the exhibition highlighted the shifting interpretations of photographs when images are viewed in relation to one another. Other featured artists included An-My Lê, Rachel Papo, Christian Patterson, Alison Ruttan, Guillaume Simoneau and Angela Strassheim. For more information, please visit the MoCP website.

Chris McCaw’s Sunburned GSP#710 (Pacific Ocean), 2013, was included in Sea Views at Rijksmuseum in Amsterdam, on view from June 17 through September 17, 2017. Drawing from more than 35 seascape photographs in the Museum’s permanent collection, the group exhibition also included works by Viviane Sassen, Chip Hooper, Franco Fontana, Jo Ractliffe and Simon van Til. For more information, please visit the Rijksmuseum website.

Multiple works by Meghann Riepenhoff were featured in Women in Photography, on view at the Bainbridge Island Museum of Art in Washington from June 24 – October 1, 2017. The exhibition emphasized female contributions to the field, focusing on ten women artists from the Puget Sound region. Other featured artists included Megumi Shauna Arai, Marsha Burns, Janet Neuhauser and Heather Boose Weiss. For more information, please visit the Bainbridge Island Art Museum website.

Photographs by Kohei Yoshiyuki and Doug Rickard were displayed in AnonymX: The End of the Privacy Era, at the Haifa Museum of Art in Israel, from February 18 - October 15, 2017. Themes of exhibitionism, voyeurism and surveillance in the works on view raise ethical questions about privacy and exposure. Other artists included in the exhibition are Dara Birnbaum, Alison Jackson, Cammie Toloui and Pavel Wolberg. For more information, please visit the Haifa Museum of Art website.

Works from Markus Brunetti’s FACADES series were on view in Le ciel devant soi in the former refectory of Couvent des Jacobins in Toulouse, France. On view from June 1 - September 17, 2017, the exhibition focused on photographic artists who document and examine diverse places of worship. Curated by David Lemaire of the Musée d’art moderne et contemporain, Geneva, the exhibition also included work by Fabrice Fouillet, Christof Klute, Aglaïa Konrad, Angèle Laissue, Cyril Porchet, David Spero and Eric Tabuchi. For more information, please visit the Couvent des Jacobins website.

Works by Pieter Hugo, J.D. ‘Okhai Ojeikere and Malick Sidibé were included in AFRICA: Telling a World, on view at Padiglione d’Arte Contemporanea (PAC) in Milan, Italy from June 27 – September 11, 2017. 33 contemporary artists including Nathalie Anguezomo Mba Bikoro, Seydou Keïta, Donna Kukama and Zanele Muholi were featured in the exhibition. For more information, please visit the PAC Milano website.

Photographs from Kohei Yoshiyuki’s series The Park were exhibited in Modes of Behavior Towards People When Affection Plays a Part: Klein Collection, on view from July 15 – November 5, 2017 at the Kunstmuseum Stuttgart in Germany. The exhibition, titled after a recently acquired Anna Oppermann work, presented select works from the collection of Alison and Peter W. Klein, including works by Louise Bourgeois, Katharina Hinsberg, Candida Höfer, Franziska Holstein, Anselm Kiefer and Ulrike Rosenbach. For more information, please visit the Kunstmuseum Stuttgart website.

Spuren, a solo exhibition of works by Alison Rossiter was on view at Station Kasseler Fotoforum, in Kassel, Germany from July 21 - August 12, 2017. Coinciding with documenta14, the show included selectively developed works and “latent” prints from the artist’s archive.

Photographs by Ezra Stoller were on view in Quest for Beauty: The Architecture, Landscapes, and Collections of John Yeon at the Portland Art Museum in Portland, Oregon from May 13 – September 3, 2017. The group exhibition surveyed two dozen projects by architect John Yeon and included architectural photographs by Stoller, Maynard Parker and Roger Sturtevant. For more information, please visit the Portland Museum of Art website.

A solo exhibition of the J. Paul Getty Museum’s complete set of vintage prints from Chris Killip’s In Flagrante series was on view in Now/Then: Chris Killip and the Making of "In Flagrante" from May 23 – August 13, 2017. The exhibition presented the fifty photographs from the series, originally published as a landmark photobook in 1988. A selection of works from the artist’s related projects, Seacoal and Skinningrove, and maquettes, contact sheets, work prints and archival material drawn from the artist’s studio were also exhibited. For more information, please visit the J. Paul Getty Museum website.

Works by Matthew Brandt and Chris Killip were on view in the exhibition A History of Photography: Selections from the Museum’s Collection, at The Museum of Fine Arts, Houston from May 6 - October 1, 2017. Other artists from the museum’s collection featured in the exhibition include Ansel Adams, Adolphe Braun, Anne Brigman, Lee Friedlander, Nikki S. Lee and T. R. Williams. For more information, please visit the MFA Houston website.

Photographs by Ezra Stoller were on view at Stanford University’s Cantor Arts Center from April 26 – August 21, 2017. Featuring additional works by Paul Rand, Charles and Ray Eames, Ettore Sottsass, Dieter Rams, and others, Creativity on the Line: Design for the Corporate World, 1950–1975 explored the groundbreaking work of mid-century modern designers and their relationships with top management in the large corporations for which they worked.

Work by Meghann Riepenhoff was included in Women in Colour, on view at Rubber Factory in New York from August 19 – September 27, 2017. Curated by Ellen Carey, the 15-woman exhibition referenced the origins of color photography and the presence of female artists in the progression of the medium. Other featured artists include Elinor Carucci, Jan Groover, Amanda Means, Cindy Sherman, Laurie Simmons and Carrie Mae Weems.

Photographs by Yuki Onodera were displayed in Inframince, a group exhibition featuring works from the collection of the Museum of Modern Art, Gunma, Japan. The exhibition, on view from July 1 – August 27, 2017, also featured works by Miyako Ishiuchi, Ryuta Amae, Alfredo Jaar, Tomoko Yoneda, Ryudai Takano and Thomas Demand, among others. For more information, please visit the Museum’s website.

Works from Andrew Bush’ series Vector Portraits were featured in Autophoto, on view from April 20 – September 24, 2017 at Fondation Cartier puor l’art contemporain in Paris, France. Featuring 500 works by contemporary and historic artists, the exhibition concentrated on automobiles as the subject. Other featured artists include Robert Adams, Larry Clark, Andreas Gursky, Jacqueline Hassink, Juergen Teller and Henry Wessel. For more information, please visit the Fondation Cartier website.

Claude and Robert from Yuki Onodera’s series Transvest were on view in Re:Collection II : Deconstructing the Museum (Even Sooner) at the Aichi Prefectural Museum of Art in Nagoya, Japan from July 1 – September 18, 2017. The exhibition highlighted recent donations and acquisitions from the museum’s collection. Other featured artists included James Casebere, Charles Fréger, Vik Muniz, Irving Penn, Wolfgang Tillmans and Tomoko Yoneda. For more information, please visit Yuki Onodera’s website.

Works from Sze Tsung Nicolás Leong’s Horizons series were on view at the New York Public Library from March 24 - July 2nd, 2017. Viewpoints: Latin America in Photographs explored the geography, people, and rich culture of Latin America from the 1860s through the present, exhibiting over 100 images drawn exclusively from the Library’s immense Photography Collection. For more information, please visit the New York Public Library website.

John Chiara gave an artist talk on June 24, 2017, at the Center for Photographic Art in Carmel-by-the-Sea, CA. Chiara discussed his innovative photographic techniques using room-sized handmade cameras he designs and builds himself.

A suite of photographs from Tim Hetherington’s Infidel series were showcased in The Face of Battle: Americans at War, 9/11 to Now on view from April 7, 2017 - January 28, 2018, at the National Portrait Gallery in Washington, D.C. The exhibition documented the human toll of recent wars through images of American soldiers. The other featured artists are Louie Palu, Ashley Gilbertson, Stacy L. Pearsall, Emily Prince and Vincent Valdez. For more information, please visit the Smithsonian website.

Works by Pieter Hugo and Lorenzo Vitturi were included in Up to Now: Fabrica Photography, part of the 2017 Fotografia Europea program in Italy. The exhibition, on view from May 5 – July 9 in the Chiostri di San Pietro in Reggio Emilia, focused on artists who have spent time at the Fabrica research center in Treviso since it opened in 1994. The exhibition included the work of Fabrica alumni Laia Abril, Olivia Arthur, James Mollison, Mikhael Subotzky and Patrick Waterhouse, among others. For more information, please visit the Fotografia Europea website.

A solo exhibition of photographs by Alessandra Sanguinetti was on view at Aperture Foundation in New York City from April 27 – June 29, 2017. Part of Immersion: A French American Photography Commission, a residency program organized by the Fondation d’entreprise Hermès and Aperture Foundation, Le Gendarme sur la Colline (The Policeman on the Hill) featured works created over an eight month period as the artist traveled through rural and suburban France. For more information, please visit the Aperture Foundation website.

In culmination of the May 2017 cycle of The Budapest Art Factory International Artist and Curator Residency Program, John Chiara displayed new work alongside paintings by American artist Damian Stamer. On view from May 31 – June 6, 2017 at the BAF, the joint exhibition included large-scale diptychs made by Chiara in the Hungarian capital.

Meghann Riepenhoff gave an artist lecture as part of the PhotoAlliance 2017 Lecture Series at San Francisco Art Institute on May 12 at 7:30pm. Alongside lectures by Theresa Ganz and Klea McKenna, Riepenhoff presented new works and discussed her unique process in creating large-scale, dynamic cyanotypes. For more information, please visit the (link
https://www.photoalliance.org/2017-may-theresa-ganz-klea-mckenna-meghann-riepenhoff text: PhotoAlliance website).

Cyanotypes by Meghann Riepenhoff were on view in All Natural at San Diego State University’s Downtown Gallery in San Diego, California from April 20 – July 16, 2017. The group exhibition included seven artists whose experimental practices involve rock, minerals, clay, textiles and other natural materials. Riepenhoff gave a lecture in conjunction with the exhibition on April 18. For more information, please visit the SDSU website.

Works by Chris McCaw and Meghann Riepenhoff were included in Phenomenon at the Bolinas Museum in Bolinas, CA from April 8 through June 11, 2017, curated by Thom Sempere of PhotoAlliance. For more information, please visit the Bolinas Museum website.

Works by Chris McCaw, John Chiara, and Meghann Riepenhoff were on view at the Center for Photographic Art from April 8 - May 28, 2017 in Carmel, California. Curated by the Center’s Director, Brian Taylor, Low Fidelity: The Action of Light featured photographic works made through alternative processes by seven artists. For more information, please visit the Center for Photographic Art website.

A selection of works from Pieter Hugo’s series 1994 were presented in conjunction with Good Hope. South Africa and The Netherlands from 1600, on view from February 17 - May 21, 2017 at the Rijksmuseum in Amsterdam. The exhibition was an in depth examination of the relationship between South Africa and the Netherlands, incorporating 300 objects from 400 years of shared history. One museum gallery is devoted to Hugo’s series 1994, portraying South African children born after that year. For more information, please visit the Rijksmuseum website.

FACADES by Markus Brunetti were on view in L’ombre de l’angle at Le Conseil d’architecture, d’urbanisme et de l’environnement des Hauts-de-Seine (CAUE92) in Nanterre, France from April 7 – 29, 2017. The exhibition and concurrent programming emphasized the symbiotic relationship between architecture and photography. Additional featured artists included Bérénice Abbott, Stéphane Couturier and Maxime Delvaux. For more informationFor more information, please visit the CAUE92 website (French).

Matthew Brandt discussed his distinctive approach to photography and a new body of work at The High Museum of Art in Atlanta, GA on Saturday April 29, 2017. Brandt’s work is marked by his integration of physical elements from the subjects he photographs, such as water from Flint, MI or dust from a construction site, incorporated into his printing process. For more information on the event, please visit the High Museum of Art website.

Lorenzo Vitturi’s sculptural installation The Garden in the Thread was on view at Palazzo Reale in Milan from March 28 - April 30, 2017 as part of the group exhibition Codice di Avviamento Fantastico. Each participating artist was commissioned to create an artwork or installation incorporating the luxury fabric, Alcantara. In addition to Vitturi, Aki Kondo, Michael Lin, Soundwalk Collective, Georgina Starr and Nanda Vigo had site-specific works on display. For more information, please visit the Palazzo Reale website (Italian).

Pieter Hugo’s first solo museum exhibition in Germany was presented at the Kunstmuseum Wolfsburg from February 19 – July 23, 2017. Between the Devil and the Deep Blue Sea highlighted works from multiple series, including KIN, The Hyena and Other Men, Permanent Error, and the recent 1994. For more information, please visit the Kunstmuseum Wolfsburg website.

The Hetherington family and the Tim Hetherington Trust presented an evening to honor the extraordinary life and dynamic legacy of Tim Hetherington, six years after his death in Libya. On Thursday, April 20, 2017, the artist’s friends and former colleagues paid tribute to the artist and the deeply personal nature of his photographs in war zones. During the evening, the Trust announced the recipient of the third annual Visionary Award, dedicated to supporting innovative documentary photographers. The event took place at the Frontline Club, 13 Norfolk Place, London, W2 1QJ. For more information, please visit the Frontline Club website.

Photographs by Takuma Nakahira were featured in the exhibition Provoke: Between Protest and Performance: Photography in Japan 1960-1975 at the Art Institute of Chicago from January 28 through April 30, 2017. The exhibition of photographs and archival material was the first of its kind to take an encompassing look at the aesthetic and political origins and divergent legacies of the creators of Provoke, a Japanese photography magazine which ran for three issues from 1968 to 1969. The exhibition was first presented at The Albertina, in Vienna, from January 29 – May 8, 2016 and Fotomuseum Winterthur, Switzerland, from May 28 - August 28, 2016 and at Le Bal, in Paris, France from September 14 – December 11, 2016. Other featured photographers included Nobuyoshi Araki, Daidō Moriyama, Yutaka Takanashi, and Shōmei Tōmatsu. For more information, please visit the Art Institute of Chicago website.

A diptych by Alison Rossiter was on view at the Los Angeles County Museum of Art’s Study Center for Photographs and Works on Paper from February 12 - June 18, 2017. Entitled Light Play: Experiments in Photography, 1970 to the Present, the exhibition features experimental photography and video from LACMA’s permanent collection. Other artists included in the exhibition include Walead Beshty, Barbara Kasten, Susan Rankaitis and Wolfgang Tillmans. For more information, please visit the LACMA website.

Work from Kohei Yoshiyuki’s series, The Park, was on view in the Katonah Museum of Art’s Picturing Love: Photography’s Pursuit of Intimacy, from March 19 – June 25, 2017. Picturing Love presented photographic representations of intimate gestures and loving embraces from photography’s early days to the present, questioning the public and private spheres of intimacy in the digital age and exploring how love is both documented and created through the act of taking a photograph. -

Prestel recently released a monograph of Pieter Hugo’s series 1994, featuring an essay by Ashraf Jamal. This new body of work focuses on children born after the year 1994 in South Africa and Rwanda, two countries that experienced profound historical changes in that year.

Photographs by Pieter Hugo were included in the exhibition Work in Movement at MAST Bologna, Italy, from January 25 – April 17, 2017. The exhibition explored the representation of labor and production in the photographs and videos of 14 international artists. Other featured artists include Wilie Doherty, Armin Linke, Yuri Ancarani, Gabriela Löffler, Chen Chieh-Jen, Julika Rudelius and Thomas Vroege. For more information, please visit the MAST website.

Works by Matthew Brandt and Alison Rossiter were featured in the exhibition Sun on Paper at the Dresden Technical Collections in Germany from February 10 – May 21, 2017. For the purpose of exploring the historical core of photography—the interplay of light and chemistry, Sun on Paper presented contemporary works made with an array of analogue photographic techniques, from ambrotypes and pinhole cameras to experimental dark room processes and photograms. Other featured artists included Ernst Caramelle, Sunah Choi, Helen Feifel and Vera Lutter. For more informationFor more information, please visit the Dresden City Museum website [in German].

Works from Kohei Yoshiyuki’s series The Park were included in Acts of Intimacy: The Erotic Gaze in Japanese Photography, on view from January 19 – April 2, 2017, at the Walther Collection Project Space in New York City. The exhibition also included photographs from key series by Nobuyushi Araki and Daido Moriyama. For more information, please visit the Walther Collection Project Space website.

Works from Pieter Hugo’s series The Hyena and Other Men were presented in Regarding Africa: Contemporary Art and Afro-Futurism at the Tel Aviv Museum of Art in Israel from December 9, 2016 – May 27, 2017. The exhibition included works that chronicle Africa’s post-colonial history and envision its potential moving forward. Other artists featured in the exhibition included Wangechi Mutu, J. D. ’Okhai Ojeikere, Adam Rotbard, and Malick Sidibé. For more information, please visit the Tel Aviv Museum of Art website.

Yossi Milo Gallery participated in The Art Show, organized by the Art Dealers Association of America, at the Park Avenue Armory from March 1 - 5, 2017. The gallery featured a curated selection of photography-based artworks by Clare Strand and Marco Breuer. For additional information, please visit the Art Show website.

Yossi Milo Gallery participated in The Armory Show at Pier 94 from March 2 - 5, 2017. The gallery’s presentation featured new work by Matthew Brandt, Ben Cauchi, Adrián Fernández, David Goldes, and Meghann Riepenhoff. For more information, please visit the Armory Show website.

Works by Alison Rossiter and Meghann Riepenhoff were included in the exhibition The Surface of Things at Houston Center for Photography in Texas from November 18, 2016 – January 15, 2017. The Surface of Things brought together a diverse group of contemporary artists who use the photogram or the surface of photo-sensitive materials to explore environmental, aesthetic and cultural questions.

Three Sleeping Soldiers by Tim Hetherington were included in The Art of War, on view at the Perth Museum and Art Gallery in Scotland from October 1, 2016 – February 25, 2017. The comprehensive exhibition integrated contemporary and historical artists whose work documents conflict over the past 160 years. For more information, please visit the Perth Museum and Art Gallery website.

Sze Tsung Leong’s work was featured in the exhibition On Escape and Concurrence: Inverting the Gaze at Novo Banco in Lisbon, Portugal from November 10, 2016 – May 31, 2017. Comprised of works from Novo Banco’s permanent collection, the exhibition aimed to shift the focus of the viewer from an analytical to an emotional exploration of the photographs. Other featured artists include Candida Höfer, William Eggleston, Wolfgang Tillmans and Elger Esser. For more information, please visit the Novo Banco website.

Work by Meghann Riepenhoff was featured in the exhibition Spectral Hues: Artists + Color at the Palo Alto Art Center in California from January 21, 2017 – May 31, 2017. The exhibition featured Bay Area artists whose work explores the power of color. Other featured artists include Anoka Faruqee, Amy Ellingson, Chris Fraser and Omar Chacon.

Photographs by Pieter Hugo and Liu Zheng were on view in the exhibition Revealing Pictures at the Princeton University Art Museum from February 4 – July 2, 2017. Drawn from the Christopher E. Olofson Collection, Revealing Pictures displayed contemporary photographic works engaging with the medium’s ability to articulate complex issues of national identity, culture and resistance, both personal and beyond. Other featured artists included Nikolay Bakharev, Jim Goldberg, Zhang Huan, Zanele Muholi and Robert Polidori. For more information, please visit the Princeton Museum of Art website.

Sze Tsung Leong’s work was featured in the exhibition Shared Space: A New Era / Photographs from the Bank of America Collection at the McColl Center in Charlotte, North Carolina from September 9 – November 5, 2016. The exhibition included photography and video that collectively highlights the evolution of the world’s communal spaces, from airports to rural landscapes. Other featured artists included Edward Burtynsky, Philip-Lorca diCorcia, Günther Förg, Jitka Hanzlová, Shirin Neshat and Thomas Struth. For more information, please visit the McColl Center website.